Clowns vs. Strippers: How Joker and Hustlers each pay tribute to the films of Martin Scorsese

People like to say that original movies are in short supply these days, swallowed up by the onslaught of comic book films, remakes/reboots, and live-action adaptations of 80s cartoons based on toys. Whilst there is truth to this observation, its conclusions are flawed. Not only have some incredibly bold and unique recent films come from pre-existing IP like “The Lego Movie”, “Mad Max: Fury Road” and “Spider-Man: Into the Spider-Verse”, but so-called “original” films are often just as guilty of recycling and retrofitting the concepts of the past.

Quentin Tarantino and Edgar Wright have made their entire careers out of essentially crafting extended tributes to their childhood favourites, communicating their own perspectives and ideas through the lens of pulp genre cinema. Continue reading Clowns vs. Strippers: How Joker and Hustlers each pay tribute to the films of Martin Scorsese

Halloween H20: Laurie Strode, the OG Scream Queen Getting Even this Halloween

It is tragic that this year’s Halloween season has seen barely any worthwhile horror shaking up the box office. Sure, Robert Eggers’ “The Lighthouse” is being released here and there, but if what I’ve seen on #FilmTwitter is anything to go by, the film is still quite inaccessible to quite a substantial amount of people. So, if like me, you’re spending your Halloween on the couch of a friend’s house, with some pumpkin spice–allow me to suggest you revisit Steve Miner’s “Halloween: H20”.

Only two (arguably three) of the six “Halloween” films released prior to this are worthy of a recommendation. This film–set 20 years after the events of Laurie Strode (Jamie Lee Curtis) barely escaping the hospital with her life on that fateful Halloween night–seems to have capitalized on the cultural zeitgeist of the “Scream” films (also worthy of a Halloween slasher binge). Continue reading Halloween H20: Laurie Strode, the OG Scream Queen Getting Even this Halloween