“Body at Brighton Rock” is a horror film. However, it’s not a very well executed one. There are a lot of jump scares in all the right places: a hand on the shoulder, a loud noise, someone jumps out from the bushes. When well-executed, the jump scare can be very effective. A prime example is in “Jaws”, or in “The Shining”. However, for the case of Body at Brighton Rock, the jump scare is used as a lazy way to keep the viewer awake, rather than actually scaring them. As a result, you walk away from this film feeling deeply unsatisfied. Continue reading 31 Days of Horror, Day 30: Body At Brighton Rock
What does “Suspiria”, “Carrie”, “The Witch” and “The Hunger” have in common? Well, these horror films are not only directed by a male director and are terrifying to watch, but they also pass the Bechdel Test. If you have managed to make it through our 31 Days of Horror countdown and you’re still looking to be well and truly creeped out, then ITOL recommends these horror films which see women at the centre of their plot. The films included on this list aren’t necessarily directed by a female filmmaker, but they are unique because they all pass the Bechdel Test.
The films below all meet the criteria set out by the test: (1) it [the film] has to have at least two women in it, who (2) who talk to each other, about (3) something besides a man. So, without any further ado, here are some must-see horror films this Halloween. Enjoy! Continue reading ITOL’s Top 10 Female Focused Horror Films
We love Jack Skellington for not staying in his lane, for that exuberance that makes this Pumpkin King of Halloween want to wrap himself in Christmas like a kid flopping into a snowdrift. But Sally, the clever ragdoll who first loves Jack from afar, gives “The Nightmare Before Christmas” a conscience and an extra dose of heart.
Jack and Sally have been bridging two of the biggest holidays for more than 25 years now. Tim Burton, director of “Beetlejuice”, “Batman”, and “Edward Scissorhands”, first conceived of the dapper skeleton with an existential crisis in the 1980s, writing a poem about a spooky fellow who wants more out of life than just saying, “Boo!” (A book version with Burton’s illustrations was released for the film’s twentieth anniversary.) Continue reading A Look Back On Sally In The Nightmare Before Christmas