ITOL Exclusive Interview: Colin Stacy, Founder of Tees-en-scène

We were very lucky to chat with Colin Stacy the founder of the fantastic Tees-en-scène, a wonderful t-shirt company that celebrates women in film, queer filmmakers and people of colour working in the industry. Their designs are really stylish, and more importantly they’re helping to promote the work of filmmakers who have been ignored in the past. We would like to say thank you to Colin for his time and make sure to support Tees-en-scène. Continue reading ITOL Exclusive Interview: Colin Stacy, Founder of Tees-en-scène

ITOL Top 50 Films of the Decade, Entry No.50: Late Night

Given how much the late night talk show has been revitalised in recent years with the advent of online video, it’s shocking it has taken Hollywood this long to make a modern comedy set within that world. After all, there’s nothing more tantalising for a comedian to write than a movie about the nature of comedy. But with “Late Night”, the filmmakers have gone beyond merely dramatising the ins and outs of putting on a show and made something of a landmark to the current state of media; an encapsulation of everything both great and terrible about it, and a clear vision of how we can make it better.

“Late Night” hits a lot of the expected beats of the workplace comedy: the fresh-faced newstart comes in, the veterans are dubious of them, they make their early mistakes but learn the ropes, they bring fresh ideas to the table, and eventually gain the trust of their new colleagues. However, getting past the formulaic structure, it’s clear that the filmmakers are using the familiar platform as a building block to share topical ideas. Continue reading ITOL Top 50 Films of the Decade, Entry No.50: Late Night

Review: Luce

In Greek mythology, Cassandra was blessed with seeing true prophesies but she was cursed with never being believed. She foresaw the Greek soldiers hiding in a wooden horse but the Trojans stopped her from hacking it open. She was forced to watch the destruction, knowing it could have been avoided if only they’d have listened.

Such is the fate of teacher Harriet Wilson (Octavia Spencer) in “Luce” (2019). She sees the warning signs about one of her students, Luce, but is completely dismissed by his parents and other teachers. Continue reading Review: Luce