Review: Charlie’s Angels

While the idea of seemingly everything getting a reboot nowadays is starting to become a total drag, there was an odd amount of intrigue I still had for the “Charlies Angels” reboot/sequel/whatever it is. Maybe it was because I liked enjoyed the casting of the new trio of angels or maybe it was because I liked of seeing Elizabeth Banks behind the camera again after “Pitch Perfect 2”. Maybe it’s also because I kind of have a soft spot for franchise and I remember plenty of times that I’d catch “Full Throttle” on TV and always enjoy watching it. So, I had fair expectations going in that the film ultimately meets and exceeds at times, but also falls short of in the same breath. Continue reading Review: Charlie’s Angels

ITOL Top 50 Films of the Decade, Entry 29: High Life

Claire Denis’ experimental sci-fi “High Life” (2018) is utterly bizarre- yes, but it’s also a reclusive and powerful picture. It’s a difficult film to quantify, and yet, despite its space odyssey setting, it really gets down to the meat of humanity. It’s more about relationships and isolation than it is about the exploration of black holes, or scientific experimentation.

Yes, that’s where it starts. As we eventually learn this ship once contained a group of previously death row inmates (including Mia Goth and André Benjamin) who were given the choice to be used as lab rats on a suicide mission. It gives you more time, and it may potentially help society find an alternative energy source, so it seems like an easy choice, right? Continue reading ITOL Top 50 Films of the Decade, Entry 29: High Life