Writer and director Joanna Hogg has always been known for her mysterious, creative and thoughtful films, but “The Souvenir” (2019) is her best yet. A tender tale of young love, it is Hogg’s most personal film to date, based on her own experiences at film school and dating an older, secretive and troubled man.
You can feel this personal touch throughout, in the gentle yet unflinching way Hogg’s camera follows Honor Swinton Byrne’s Julie, the young woman at the centre of this story. Continue reading ITOL Top 50 Films of the Decade, Entry No. 27: The Souvenir
The music drama, and the excess of the rockstar lifestyle, has been pretty well captured on film over the decades, so how does a filmmaker now tell a story of someone living that life without retreading old ground?
Director and writer Alex Ross Perry’s “Her Smell” doesn’t seem to have much in the way of bold new ideas on that front sadly, instead he goes for big performances and some pretty interesting narrative framing to compensate. “Her Smell” is a tale of a front-woman of a ‘90s punk three-piece at the very cusp of breaking apart, who is not only clinging on to relevance against her band’s dwindling fortunes, but is also juggling the pressures and responsibilities of real life outside of the ephemeral madness of the rockstar persona. Continue reading Review: Her Smell