Every year, the Hollywood Foreign Press Association (HFPA) hosts the Golden Globes. The Golden Globes are used as a predictor for Oscar nominations. As always, there are only so many slots for each category. Not every actor, filmmaker, or movie can be nominated. But the Golden Globes typically proves to be pretty white and male dominated. This year, five male filmmakers were nominated for Best Director. Bong Joon-Ho, who directed “Parasite” (2019), is the only non-white person nominated. The other nominees, Sam Mendes, Todd Phillips, Martin Scorsese, and Quentin Tarantino are all white dudes. And, in my frank and honest and personal opinion, it is comprised of mediocre white film bros. Sue me. (Actually, please don’t. I have lots of student loans.) Continue reading Editorial: Is This Male Director Good or Have Men in My Life Just Convinced Me to Put Up with Mediocrity?
If you’re feeling disheartened by the latest Golden Globe nominations ignoring fantastic female filmmakers just take a look at the WFCC awards. Hopefully, you can find comfort in their celebration of women in film.
The Women’s Film Critic Circle is a group of 75 female critics and scholars. It was established 15 years ago in the belief that women’s perspectives in criticism need to be fully recognised. Continue reading The 2019 Women’s Film Critic Circle (WFCC) awards winners
We often associate the “male gaze” in cinema to how female sexuality is portrayed, but I would argue that it exists when it comes to modern military movies, as well. This is one of the thoughts that found itself moving through my brain rewatching Kathryn Bigelow’s “Zero Dark Thirty.” There is a jingoistic, action-driven version of this or “The Hurt Locker,” Bigelow’s Oscar-winning drama about bomb diffusers in Iraq, that could be made by a Michael Bay or Peter Berg. It would have been empty thrills compared to the contemplative work Bigelow does in both films. Continue reading ITOL Top 50 Films of the Decade, Entry No. 10: Zero Dark Thirty