Day: January 26, 2020
“The Turning” starts off as a promising reimagining of an old classic, as it weaves itself down a winding road of mystery. But, once that mystery is unravelled…the film comes to an abrupt and unsatisfying halt.
To celebrate the last decade 2010-2019 we are counting down the best actresses and discussing some of their most notable and memorable performances of the last decade. With the help of Film Twitter, the ITOL team have selected 30 actresses. Entry No. 11 is Emma Stone, and special guest writer Jennifer Heaton discusses her favourite performances by Emma Stone over the last decade.
I was not looking forward to 2020’s “The Grudge”. In the interest of transparency, I will admit that I have seen Takashi Shimizu’s original 2002 film, and I utterly hated it. It was a sluggish, overlong piece of work that, I feel, was incapable of overcoming its low-budget roots. There was very little that co-writer (Jeff Buhgler) and director Nicolas Pesce brought to my excitement. The only hope to be had had come from the fact that I recall loving Pesce’s previous film, the ultra-dark, black and white exercise in bleak cinematic macabre, “The Eyes of my Mother”. And for the first 20 or so minutes of this, I was worried. In the year 2004 (the year that the American remake of “The Grudge” was released, also directed by Shimizu–I wish he could say be pulled a Micahel Haneke; but nothing in both the remake or the original deserve that compliment), Fiona, a live-in nurse is seen visibly disturbed by events she had witnessed in a house she has just left.