For the last thirty or so years, stand-up comedy has been a massive part of popular culture in the West. On both sides of the Atlantic, comedians transcended their circuits’ clubs and stages and moved into screens both big and small, become household names on a par with the most successful movie stars and television personalities. In all that time though, the biggest names and faces in comedy were rarely women, and even fewer were women of colour; the latter being very much the case to this day, even when female comedians are beginning to get a bigger share of the stage.
Enter “All Joking Aside”, the directorial feature debut of Shannon Kohli, which tells the story of Charlene “Charlie” Murray (Raylene Harewood), a young woman with the ambition to become a professional stand-up comedian, a dream she shares with her late father. Continue reading Review: All Joking Aside
It’s been ten years since we saw “Twilight” (2008) cast-mates Kristen Stewart and Dakota Fanning graze the screen in the music biopic “The Runaways.” While the Floria Sigismondi written/directed film has its fair share of follies, by the end it’s worthy of a collective fist to the air, celebrating – at the very least- the spotlight on these talented women and the impact they had on the rock and roll world.
At a time when bands entirely made up of women weren’t a prevalent nor seemingly lucrative notion, The Runaways was formed, primarily because of the persistent ambition of Joan Jett (Stewart) and her collaboration with Kim Fowley (played with an on-spot eccentricity here by Michael Shannon). Soon they bring in Cherie Currie (Fanning) to be the lead singer, along with Sandy West (Stella Maeve), Lita Ford (Scout Taylor-Compton) and Robin (Alia Shawkat). Then we’ve got the pop-punk legendary group: The Runaways. Continue reading Retrospective Review: The Runaways