It’s almost a cliché to write a thinkpiece about the lack of diversity in the latest set of Oscar nominations. Every year, The Academy of Motion Picture Arts and Sciences congratulates the best films that English-speaking cis-het white men produced in the preceding year, and also some of the bad ones too. Oh, and they’ll also throw in a meagre handful of films made by women, people of color, etc. The slate of nominees for the upcoming 2020 Academy Awards is exceptionally representative of this feet-dragging approach to representation and inclusivity.
“Star Wars: The Last Jedi” (aka the greatest film of all time, don’t @ me) was a film about failure, hope and a genuine sense of rebellion. It ended with a young force-using child symbolizing hope for the future, and the passing of the torch that is the “Star Wars” franchise to a new generation. “Episode IX” might as well have begun with that child being unceremoniously shot dead by a blaster bolt. “The Rise of Skywalker” is not only a film thoroughly disinterested in continuing the themes and arcs of the previous film, but actively works to undermine them.
Year: 2019 Runtime: 138 Minutes Director: Roland Emmerich Writer: Wes Tooke Stars: Ed Skrein, Patrick Wilson, Woody Harrelson, Luke Evans, Mandy Moore By Caelyn O'Reilly Roland Emmerich makes two kinds of movies; films that are utterly stupid but buckets of fun (“Independence Day” and “White House Down”), and films that are just as stupid but... Continue Reading →
“IT: Chapter Two” (2019) has been talked about a lot since its still fairly recent release, and the internet has already gone through multiple modes of discourse on its queer representation. The first consisted of people posting extremely necessary content warnings for the film’s opening scene, which features a violent homophobic hate crime. The second occurred when many people took to Twitter to mock a recent Out article which labeled the character of Pennywise “homophobic".