To celebrate the last decade 2010-2019 we are counting down the best actresses and discussing some of their most notable and memorable performances of the last decade. With the help of Film Twitter, the ITOL team have selected 30 actresses. Entry No. 10 is Florence Pugh, and writer James Cain discusses Pugh’s career over the last decade. Continue reading Best Actress of the Decade, Entry No. 10: Florence Pugh
To celebrate the last decade 2010-2019 we are counting down the best actresses and discussing some of their most notable and memorable performances of the last decade. With the help of Film Twitter, the ITOL team have selected 30 actresses. Entry No. 22 is Sally Hawkins, and writer James Cain discusses some memorable performances by Sally Hawkins over the last decade. Continue reading Best Actress of the Decade, Entry No. 22: Sally Hawkins
“Portrait Of A Lady On Fire” is a wonderfully subtle, minimalist film, one that trusts the audience’s ability to pick up on the slightest glance, the coyest smirk. It’s also worth nothing that the director is herself a queer woman, having known Haenel as a partner both professional and romantic, and reminding us that queer and trans folk should be taking the lead on LGBTQ+ cinema. Continue reading ITOL 2019 Round-up: Portrait Of A Lady On Fire
While Bong’s films are often very funny affairs, “Parasite” is his first outright comedy since 2000 debut “Barking Dogs Never Bite”. This is a pitch-black farce that frequently becomes a delightful caper – albeit one whose heroes have ineffably murky methods. You love to root against the Park couple: Yeon-kyo (Jo Yeo-jong) is a prim-and-proper lady and Dong-ik (Lee Sun-kyun) is a suave tech executive, but in reality they’re disgusted by the slightest bit of the real world. Continue reading ITOL 2019 Round-up: Parasite
As we approach the end of 2019, the ITOL team are compiling their end of year lists of their favourite films. Here’s James Cain’s list and his personal top 20 films of 2019!
Another year, another fresh bout of shame. I didn’t see “Hustlers”! I didn’t fit “Always Be My Maybe” onto my list of favourite movies! Anyway, here are my Top 20 Films of 2019. Continue reading JC’s Top 20 Movies Of 2019
Chances are you’ve got a few Christmas classics that you like to watch every year. Maybe you enjoy crime-capers like “Lethal Weapon”, “Die Hard”, or “Kiss Kiss Bang Bang”. You might prefer holiday horrors with “Gremlins”, “Anna And The Apocalypse” or “Love Actually”. Or perhaps you go with family-fare such as “The Muppet Christmas Carol”, “Elf” or “Home Alone”. With Spanish animation “Klaus”, Netflix has released an instant festive classic for all the family, albeit with a lot of dark humour… Continue reading Review: Klaus
Most of us have at least a little trauma in us. Be it something minute or something colossal, these pockets of pain have the potential to fuck us up beyond our wildest dreams if not taken care of properly. And it’s on this note that master-filmmaker Lynne Ramsay – featured previously on this series with “We Need To Talk About Kevin” – brings us “You Were Never Really Here”. Continue reading ITOL Top 50 Films of the Decade, Entry No. 4: You Were Never Really Here
The Sandy Hook massacre in 2012 saw 26 people murdered – 20 kids and six members of staff. It remains the largest school shooting at an American primary or secondary school, and is the second-largest school shooting in American history (the tragedy at Virginia Tech in 2007 saw 32 people murdered). Coming out one year prior, “We Need To Talk About Kevin” is a film that explores one of life’s more terrifying recurring nightmares.
Based on the 2003 novel of the same title by Lionel Shriver, “We Need To Talk About About Kevin” focuses on successful travel writer Eva (Tilda Swinton) and the relationship with her son, Kevin (Rocky Duer, Jasper Newell and finally Ezra Miller). Kevin seems to antagonise and loathe his mum from birth: crying only in her arms as a baby, being entirely uncooperative with her as a young kid when they’re alone, and taunting her frequently as a teen. Continue reading ITOL Top 50 Films of the Decade, Entry No. 8: We Need To Talk About Kevin
The Forever Young Film Club is a British organisation whose primary activity is to host screenings of coming-of-age movies. “Girlhood”, “Booksmart” and “Mid90s” have all attracted large crowds, and the Club is clearly going from strength to strength. The main reason for this continuing success is down to the hard work of the three women behind the screenings, but there’s also the fact that, sooner or later, pretty much all of us have to grow up. Changing friendships, sex, sexuality, hopes, dreams and discovering your parent/s’ flaws are all part of moving from childhood to adulthood, which means that coming-of-age is perhaps cinema’s most relatable subgenre.
Dee Rees’ 2011 feature debut “Pariah” is one such film. Continue reading ITOL Top 50 Films of the Decade, Entry No. 41: Pariah
2019 was the year that Andrew Scott’s Hot Priest seized the zeitgeist with full gusto. The Fleabag character had people all over the world fanning themselves to avoid a case of the vapours, with his actual name remaining a mystery. He was merely the latest – one of the most libidinously triumphant – in a line of on-screen hot priests. Others include Father Brian Finn in “Keeping the Faith”, Father Grandier in “The Devils”, Father Andrew Kiernan in “Stigmata”, Reverend Adam Smallbone in “Rev” and, perhaps most obviously, Friar Fuck in “Sex and the City”. One of the finest men of the faith was given to us by Park Chan-wook in his 2009 vampire romantic-horror, “Thirst”. Continue reading Sex and Living- Death in Thirst