31 Days of Horror, Day 18: Prevenge

Horror is often an exquisitely wild genre, taking us to dark depths of the civilization and worlds far from Earth. The genre can equally thrive hiding in plain sight, acknowledging our fears of everyday life. Moving to a new town (“The Stepford Wives”), meeting your partner’s parents (“Get Out”) and sexual health (“It Follows”) are things most of us will deal with at least once in our lives, but that doesn’t mean they can’t be scary. In 2016, “Prevenge” was released, instantly becoming one of the finest maternal-horrors around. The woman behind this twisted, bloody romp: Alice fucking Lowe. Continue reading 31 Days of Horror, Day 18: Prevenge

31 Days of Horror, Day 11: Near Dark

There’s a scene in the fantastic 1984-set film “Pride” where a young gay man – keeping his sexuality a secret film his suburban London family – sits watching the TV with his boorish brother-in-law. On the telly is a government message about AIDS. “Arse Injected Death Sentence” guffaws the idiot, referencing the homophobic myth that AIDS was a gay problem (even if the LGBTQ+ community was hit devastatingly hard by the disease in the 80s).

As “Pride” illustrates, the epidemic saw those diagnosed with the disease ostracised from much of society. Cinema of the 80s and 90s tackled the issue both directly, with films such as “Philadelphia”, “Kids”, and “An Early Frost”, as well as indirectly, with movies like “Return Of the Living Dead”, “The Fly”, and vampire neo-Western “Near Dark”. Continue reading 31 Days of Horror, Day 11: Near Dark

Why “Lady Vengeance” is the Film 2019 Needs

At time of this article’s writing, a huge discussion is taking place online, about where or not Todd Phillips’ “Joker” is, to borrow an overused phrase, the film we need right now. Some who have seen the movie, and some who have not, assert that “Joker” is a rallying screed for the far-right nutters who are shooting innocent Americans at an alarming rate. And it’s a fair question to raise about any film – how does this piece of art fit in with, or even inform, our social / political climate? With that in mind, the 2005 masterpiece “Lady Vengeance” is very much the film we need right now. Continue reading Why “Lady Vengeance” is the Film 2019 Needs