For Disney fans, it is hard to believe that “Frozen” (2013) was released just six years ago. The tale, inspired by Hans Christian Anderson’s “The Snow Queen,” has permeated pop culture in a way that even Walt Disney Pictures couldn’t have predicted when it was released. Directed by Chris Buck and Jennifer Lee, “Frozen”’s themes of family, love, isolation, and finding yourself have resonated with people across the globe. And of course, “Let It Go” became such a hit that it was almost impossible to avoid hearing it for many months. In addition to the film making it onto In Their Own League’s Top 50 Female Directed of the Decade list, now is an appropriate time to look back at the first “Frozen” film as its sequel has just been released.
Six years after asking, “Do you want to build a snowman?” Elsa and Anna return in Disney’s "Frozen 2", this time facing change and the fear of uncertainty. That’s a more philosophical antagonist for the sisters of Frozen, which earned $1.3 billion worldwide, and a journey that doesn’t entirely feel necessary or without plot holes. But credit director Chris Buck and writer-director Jennifer Lee with crafting an ultimately satisfying story of more mature themes for an audience that’s grown out of the dress-up stage.
“I Lost My Body” (2019) is the first feature film by director Jérémy Clapin. It was shown as part of the “Dare” stream at London Film Festival 2019 which was described as “In-your-face, up-front and arresting: films that take you out of your comfort zone”. That certainly is a good description of this film. The Cannes Critics’ Week Grand Prize winner engages all the senses to take you on a melancholic and emotional journey towards a gruesome end.
Year: 2017 Runtime: 94 Minutes Director: Nora Twomey Writer: Anita Doron, Deborah Ellis Stars: Saara Chaudry, Soma Chhaya, Noorin Gulamgaus By Dominic Corr Gloriously direct, "The Breadwinner" (2017) turns the patriarchal trope of a sole provider into an unflinching tale of a young Afghan girl’s determination, fear and resilience under Taliban rule in 2001. Based... Continue Reading →
Seeing that Naoko Yamada’s “A Silent Voice” made our list for the Top 50 Films of the Decade was an absolute treat. Not only because it’s always nice to have some anime appreciation, but it’s also great because the film isn’t talked about as much as it should. Yamada’s adaptation of Yoshitoki Oima’s manga of the same name is easily one of my favorite anime films as it pulls no punches in delivering a timeless story about redemption, understanding others, and finding your voice.
A young girl has extraordinary skill in the defensive arts. She is independent, smart, humorous; in short, everything a mythic heroine should be. “Brave” (2012) captures the lush countryside of ancient Scotland in vibrant tones of green, brown and blue. We anticipate an epic journey for our heroine worthy of Joseph Campbell in the great tradition of Celtic folklore but are ultimately disappointed by a pedestrian plot that was clearly so much more at some point but has been reduced to clichés and confusion. At the heart of the film is the relationship between teenage Merida (Kelly MacDonald) and her mother Elinor (Emma Thompson). Like so many others in a Disney/Pixar production, Merida is a princess on the cusp of being married.
By Tom Moore DreamWorks’ new film “Abominable” has the animation and voice acting chops to be another hit for the studio but lacks the story details and development to be anything more than just okay. The film follows Yi (voiced by Chloe Bennet), a young girl who is determined to gather enough money in order... Continue Reading →