We are just a couple of months away from the beginning of the end. The Canadian comedy, “Schitt’s Creek” became a hit thanks to the audience Netflix brought. If you have not watched the show yet, now is the time to get started. The show follows the Rose family. Johnny (Eugene Levy) is the patriarch of the family. He obtained his wealth through video stores. Moira (Catherine O’Hara) is the matriarch, who starred on notable soap operas and is a C-list actress. Their children David (Daniel Levy – and Eugene’s own son) and Alexis (Annie Murphy) have never worked a day in their lives. One day, it is learned that the Rose family has lost everything after being defrauded by their business manager. But they do have one asset (no, Moira, not the children) – a small town called Schitt’s Creek that Johnny bought.
Netflix boasts its ability to release a number of comedy specials. If you have seen one special, you kind of get the gist of every other special. The material always differs but the presentation is the same. A comic stands alone, on stage, hoping their zingers land and their poignant messages get across. But when Jenny Slate’s “Stage Fright” landed on Netflix in October 2019, it redefined the comedy special. Slate’s comedy is a certain brand. Watch her in 2014’s “Obvious Child,” and you will understand what you are getting in for. In the film, Slate plays, Donna, an underemployed, struggling comedienne who learns that she is pregnant after a one night stand. The jokes, and delivery, are killer. Slate adds heart to her humor and humor to her heart. The moments read different but all of the same elements are in play.
No doubt, "Undone" will leave you with a lot of questions. Personally speaking, the burning question I had was, when has Kate Purdy been to my house? The main character, Alma, wears her hair like I used to. She dresses like me. She drinks too much and says the wrong thing and worries that she’s crazy like me. She zones out at work and she craves adventure like me. What she does, that I don’t, is travel through time but otherwise, she’s me. Also, she’s indigenous and I’m Indian diaspora but we’re both brown so other than that and the time travel it was like looking in a mirror.
GLOW - The Gorgeous Ladies of Wrestling - is a based-on-a-true-concept type sitcom (? drama ? sit-ma ?) about a women’s wrestling in the eighties. It’s a feminist by default excuse to recreate the most extreme looks of 80s women's fashion and some of the most cliched of 80s women's problems with some kitschy wrestling scenes and liberal politics thrown in for good measure. Like the "A-Team" meets "A League of Their Own" meets "Tiffany" but with heart.