In this debut feature by director Mounia Meddour, “Papicha” (2019) is about Algerian girls in the late 1990s trying to cling to freedom and self expression during a rise of an extremely conservative Islamic fundamentalism that literally threatens their lives. Nedjma (Lyna Khoudri) lives and studies at a women’s university where there is a culture of sisterhood and fun. The girls sneak out to go drinking and dancing at night, are boisterous and play practical jokes. They’re mostly carefree but cautious of having to lie to police and cover their heads if they are stopped. She loves fashion and is constantly sketching new ideas and making clothes for her peers, selling them out of a nightclub bathroom.
With the beginning of February, Netflix in the Asia Pacific, Europe, Middle East, Africa, and Latin America began to offer Ghibli Studio films in its repertoire. This announcement generated great joy and inspired fans to refresh those classics. Hayao Miyazaki tends to, more often than not, select a female protagonist as a lead and a hero of his films. Coming-of-age stories about young women in a world of fantasy and magic are a great manifesto to learn from, perfect for the young female audience. Two films that are personally very dear to me are "Kiki's Delivery Service" and "Spirited Away."
To celebrate the last decade 2010-2019 we are counting down the best actresses and discussing some of their most notable and memorable performances of the last decade. With the help of Film Twitter, the ITOL team have selected 30 actresses. Entry No. 16 is Margot Robbie, and writer Nicole Ackman discusses Robbie’s career over the last decade.
To celebrate the last decade 2010-2019, we are counting down the best actresses and discussing some of their most notable and memorable performances of the decade. With the help of Film Twitter, the ITOL team has selected 30 actresses. Today, we write about Cate Blanchett - a winner of two Academy Awards, for Best Actress in "Blue Jasmine" and Best Supporting Actress in "Aviator." The actress was additionally nominated in Best Actress category for her phenomenal roles in "Carol" and "Elizabeth: The Golden Age."
But the question is, how come "Long Kiss Goodnight" is usually skipped in the movie list for the holidays?
On 21st November Anita Sarkeesian tweeted to highlight the lack of female characters in the first episode of Disney’s new Star Wars show "The Mandalorian" and it caused an immediate backlash. The discourse that’s still raging raises some fairly universal arguments which are worth exploring. It’s this discourse I want to focus on here, not the accuracy or otherwise of Sarkeesian’s tweet as I have not seen "The Mandalorian".
When "Foxfire" came out in 1996, I was only one-year-old. While watching it only a few months ago, it became clear that Annette Haywood-Carter's drama exists in the dimension of exceptional productions. Those productions have a crucial influence on young women's lives. Meet Legs Sadovsky (Angelina Jolie). Nobody knows where she came from. Tomboy-ish looking, young woman is a mystery, especially to Maddy Wirtz (Hedy Burress). Maddy, a high school teenager, doesn't even know that Legs will change her life forever. After hearing about the teacher's sexual harassment, the mystery girl teaches Maddy, Rita (Jenny Lewis), Goldie (Jenny Shimizu), and Violet (Sarah Rosenberg) to stand up against abuse and fight for their rights as women.
At the 2018 New York Film Festival, actress Carey Mulligan was asked how she could get into character for someone as unlikable as Jeannette in “Wildlife” (2018). Mulligan explained to the shortsighted audience member that likability is more than niceness. It is finding a connection in someone. Mulligan transformed herself into Jeannette, a young mother who, while her husband is away, has an affair as she tries to find herself again. It is a beautiful performance about the way definitions can be thrust upon and shackle women. So, what made her unlikable? Was it the infidelity? The selfishness? The uncomfortable self-exploration? It seems that male characters can do and be those things. We call them “complex” or “complicated.” We label them the “anti-hero.” But what makes that journey different for women?
Amidst the #MeToo and #TimesUp movements, it as become glaringly obvious how pervasive toxic masculinity, harassment, and abuse are in the film industry. With film and television as not just art forms, but avenues of escapism, how do we watch cinema more responsibly? Following the scathing Weinstein report, MANY men in Hollywood – and some women – have been accused of sexual harassment and assault. This is not a new thing, but we are certainly not remaining as complacent as before. Louis C.K., Harvey Weinstein, Matt Lauer, Charlie Rose, Bryan Singer, R. Kelly and so on are facing exile from the entertainment industry.