
Retrospective: Perfect Blue (1997)
Calum Cooper writes a retrospective review to celebrate the 25th anniversary of Satoshi Kon’s Perfect Blue, discussing how it has only become scarier with time. Continue reading Retrospective: Perfect Blue (1997)
Calum Cooper writes a retrospective review to celebrate the 25th anniversary of Satoshi Kon’s Perfect Blue, discussing how it has only become scarier with time. Continue reading Retrospective: Perfect Blue (1997)
Film critic Calum Cooper writes a retrospective piece on Sight & Sound’s newest greatest film of all time, Chantal Akerman’s Jeanne Dielman. Continue reading Retrospective: Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles (1975)
By Brian Skutle The reasons I watched Karen Arthur’s “Lady Beware” (1987) in 1997 were not the reasons that I do now. I had just developed a crush on Diane Lane after “Murder at 1600” (1997), and this erotic thriller was one of the films that fed that- in some ways, for part of the reasons why Arthur would come to disown the film. Over … Continue reading “Lady Beware”: A Flawed, Feminist Look at Erotic Fantasy
By Brian Skutle When “A League of Their Own” was in theatres in 1992, I remember my mom and grandfather and I going to see it. I thought it was a good movie, and it was something we taped off of HBO to watch. I was going on 15, though, and relatively new to really starting to watch movies on a regular basis, so the … Continue reading 30 Years Later, “A League of Their Own” Still Wins
By Joan Amenn I am a fourth generation Italian American. The stories of my ancestors that I grew up with both mirror and contrast with how my ethnicity have been depicted on screen, much like anyone else’s cultural heritage when subjected to dramatization. Here are some of the films that have special meaning to me. 1. The Godfather Parts 1 & 2 (1972, 1974): I’m … Continue reading Top 5 Favorite Films about Italian American Culture
This was the 1960’s so the concept of a career woman seducing a man for no other reason than sexual attraction was a bit ahead of its time. Continue reading “The Thomas Crown Affair” and Sexual Desire
Year: 2009 Runtime: 75 minutes Director: Tomm Moore Writers: Tomm Moore, Fabrice Ziolkowski Actors: Brendan Gleeson, Mick Lally, Evan McGuire, Christen Mooney, Liam Hourican, Paul Tylak, Paul Young By Joan Amenn Anyone who has taken drawing lessons knows that the first thing to master is basic shapes, like circles and triangles. “The Secret of Kells” (2009) is animated with that in mind as it tells … Continue reading Magical May Review: The Secret of Kells
I had always thought that the 1996 adaptation of Roald Dahl’s “Matilda” had been a huge commercial hit. It wasn’t until I began researching into the film’s production that I discovered that this was not the case. In fact, the film only grossed $33.5 million in the United States on a $36 million budget. Of course, it shouldn’t matter whether or not “Matilda” was a box office hit, but in a way it makes the film feel even more special. “Matilda” is such a wonderfully delightful film that helped me on such a personal level that I’m so grateful for this film’s existence. Continue reading Magical May Review: Matilda
Year: 1985 Runtime: 90 minutes Director: Ridley Scott Writer: William Hjortsberg Actors: Mia Sara, Tom Cruise, Tim Curry, Billy Barty, Annabelle Lanyon, Alice Playten By Joan Amenn What is this thing that Ridley Scott has with unicorns? In “Legend” (1985) and “Blade Runner” (1982) they pop in to lend a convenient metaphor for the plot of each film to reference. In the former, they represent … Continue reading Magical May Review: Legend
Since the dawn of movies, animation has been one of storytelling’s most essential mediums, from stitched photography to the first hand-drawn renderings of dwarves and fair women to digitally enhanced visual effects (which are, in effect, an animation unto themselves) to the movements of clay through any number of frames. Animation is even so essential to filmmaking as to render otherwise unfilmable stories accessible to a wide scope of audiences – such was the case with “Flee” (2021) during this past year’s awards season. But not since the days of “Toy Story” (1995) has this filmmaking medium taken such a gigantic leap as in December of 2018, when “Spider-Man: Into the Spider-Verse” swung onto silver screens to chronicle the ascent of one Miles Morales from a semi-known comic book/video game character to the throne of all Spider-Man movies. Continue reading Spider-Man: Into the Spider-Verse: How One Movie Revolutionized Animation Again