January 20th, 2020 is a date that will go down in infamy as the end of one the greatest eras in modern television : the brief but powerful reign of "Bojack Horseman", star of screen and book. Five and a half moving, funny, poignant, brilliant seasons have left little doubt that Raphael Bob Waksberg and friends will knock the final six episodes out of the park but there are many questions left about how our dubious hero will say his final goodbyes. Besides "The Office" ( the soundtrack of my life) there are few shows I have examined as carefully or studied as intensely as "Bojack Horseman". It is the only show I’ve ever loved enough to consider a fan tattoo. My careful examination of a show that rewards careful examination has revealed the following : Bojack Horseman’s (Will Arnett) life is in danger.
In a day and age when the entire world is crumbling around us, it is nice to have shows with heart but also do not take themselves seriously. “Perfect Harmony” is just that show. The overarching premise of the show is Arthur (Bradley Whitford) plays a recently widowed Ivy League music professor becomes the director of a rural Kentucky church choir. Ginny (Anna Camp) is his main confidant and part of the reason he agrees to direct her church’s choir. That and to beat the local mega church which refused his late wife’s wish to be buried in their cemetery.
Have you ever seen a film and found something just a bit distasteful about the way female actor came across but you couldn’t quite point to exactly why it didn’t sit right? And, maybe others have pointed out that the main female character have been treated very well because they ended up saving the day, so what are you complaining about? There’s more to a film than the simply action that takes place and who is on screen. It’s a visual art form and we’re all trained in the visual language of cinema from the moment we start watching films. By ‘visual language’ we mean the way people are photographed in order to convey meaning beyond what they say or do. Someone shown in the frame as towering above another person is often the one with the power for example.
GLOW - The Gorgeous Ladies of Wrestling - is a based-on-a-true-concept type sitcom (? drama ? sit-ma ?) about a women’s wrestling in the eighties. It’s a feminist by default excuse to recreate the most extreme looks of 80s women's fashion and some of the most cliched of 80s women's problems with some kitschy wrestling scenes and liberal politics thrown in for good measure. Like the "A-Team" meets "A League of Their Own" meets "Tiffany" but with heart.