Writer/director Kelly Reichardt has gained quite some notoriety over her career, so much so that Bong Joon-Ho even denotes her as one of his heroes, and her latest film, “First Cow”, gives audiences a unique Western adventure filled with friendship, character, and a cow. Set in Oregon during the 19th Century, the film follows two scavengers – a skilled but secluded cook named Cookie (John Magaro) and an opportunistic Chinese man named King Lu (Orion Lee). Although they meet on strange terms, the two grow a special friendship as they look to make a name for themselves. However, when an incredibly wealthy man named Chief Factor (Toby Jones) purchases and brings the first cow to the area, the two see an opportunity to gain a wealth of their own. So, as they sneakily steal milk from under Factor’s nose, Cookie and Lu make a name for themselves by cooking baked goods that eventually gets them unwanted attention.
Last year was probably one of the best years for film in quite some time. Throughout the entire fall, week after week, it felt like the phrase “oh, this is going to be in my top ten for sure” became incredibly common. From Bong-Ho Joon’s enthralling and mind-blowing depiction of class with “Parasite” to the box-office smashing end of the Infinity Saga with the Russo Brothers’ “Avengers: Endgame”, there were so many new kinds of stories and visions that constantly pushed genre boundaries. 2019 was especially a great year for female filmmakers as there was an onslaught of incredible films from both new and already established women in film.