Coffee and croissant in hand at sunrise, pearls, a beehive up-do topped-off with a sparkling tiara, over-sized sunglasses—the reflection of a woman in the glass of a jewelry store. A young girl sprawled out on a tree branch over-looking a party she’s not privy to, an off-duty princess taking a rogue scooter disruptively through a town. All of these simple moments are from films that star the iconic Audrey Hepburn. The percentage and likelihood that you have seen her image next to a cheesy inspirational quote or her face on a poster of a college age woman’s dorm room wall is absolutely certain, whether you have seen any film she is in or not. Maybe the quote was an actual quote she coined, maybe not. It is undebatable that Hepburn’s image, stardom, and influence has far outlived her life.
Banana Split" is the directorial debut film from director Benjamin Kasulke, with a screenplay written by the film's main star Hannah Marks and Joey Power. The film follows April (Marks) who has spent the last two years of high school in a relationship with Nick (Dylan Sprouse), from the first frantic make-out session to final tear-stained breakup. In the aimless summer between graduation and college, the newly single April mends her heartbreak by striking up an unexpected friendship with an unlikely candidate: Nick’s new girlfriend, Clara (Liana Liberato). Our writer Mique Watson jumped at the chance to speak to actress Addison Riecke regarding the film after reviewing the film for ITOL. Below, we hear from Addison about how she became involved in the project, what drew her to this story and the character of Agnes. You can read Mique's interview with director, Benjamin Kasulke here.
Time can permit legends to eclipse the reality of someone’s life, particularly in Hollywood. Some are unjustly lionized and some greatly disparaged but in the history of film few have been as mischaracterized as Marion Davies. She was a success on stage and screen but her long term relationship with a wealthy, married man and her portrayal in a film loosely based on his life is all that is remembered now. Born into a wealthy Brooklyn family, Marion started out as a model and then a chorus girl on Broadway. She was then featured in the “Ziegfeld Follies’ which was a hugely popular musical revue that launched many careers at the beginning of the nineteenth century. As she rose in fame as a stage comedienne, the new medium of the “flickers,” or silent film, beckoned.
Lucille Fay LeSueur started as a dancer for a variety of travelling shows, elevating her way to chorus girl, and would go by LeSueur until her time with MGM, where Joan Crawford would emerge as a prominent force on the Hollywood scene. One of the ‘symbols’ of the studio gals, with the likes of Judy Garland or Claudette Colbert, Crawford would make her first ‘debut’ in ‘Lady of The Night’ (1925) as a body double, her breakout alongside Horror legend Lon Chaney in the 1927 horror film ‘The Unknown’ and her film final appearance in a British sci-fi film entitled ‘Trog’ (1970), a bizarre climax to a turbulent career.
Olive Thomas died at twenty-five years of age, thanks to the accidental ingestion of mercury bichloride. She had acted in approximately twenty films over four years, but sadly, her career ended as quickly as it had begun. While Thomas’ death essentially created the first Hollywood scandal ever, I feel that she should be remembered for her expressiveness and liveliness that she brought to her acting. Olive Thomas won the “Most Beautiful Girl in New York City” contest in 1914, launching her modelling career. She joined the Ziegfeld Follies shortly thereafter and remained with the Follies until 1916. That year, she signed with the International Film Company, and her acting debut was in an episode of “Beatrice Fairfax,” called “Playball.”
There are many forgotten faces in Hollywood who once captivated audiences. Few were more groundbreaking than Mabel Normand who starred, directed and produced silent films when the medium was still experimenting with what it could do. So much of what she and her professional, sometime private, partner Mack Sennett accomplished has now become standard, even cliché in film comedy. That she did so much in so few years is as dizzying as the breakneck chase scenes they would become recognized for in one of their more successful film series.
Greta Garbo started her career in Swedish cinema (her first notable role being the 1924 film “The Saga of Gösta Berling”), which brought her to the attention of the Metro-Goldwyn-Mayer (MGM) studio, leading her to her first Hollywood role in “Torrent” (1926). From here on followed a suite of successful silent films and Garbo’s conquest of international acclaim began.
There are few actresses who give full-on, metaphorical balls-to-the-wall performances. Betty Gilpin is one of those people. She gives immensely high-caliber performances every time she is on screen. So, with the release of “The Hunt” (2020) fast approaching it is time we take a moment to appreciate the underappreciated Betty Gilpin. Gilpin has been working long before her turn as actress-turned-wrestler on Netflix’s “GLOW.” But it has been her Emmy-nominated performance as Debbie Eagan and wrestling alter-ego Liberty Belle that has shone a light on her innate talent.
You may not know her name, but I am damn certain that you would recognise her face and more importantly her hairstyle. The 'Lulu' Bob haircut worn by Louise Brooks is a representation of the Jazz age in all of its glory and revolutionary awe. For a few brief years, Brooks was one of the most well known and one of the highest-paid actresses in the world. At the height of her career, she made a bold decision to leave La La Land, in order to star in two of the silent era's most famous films, "Pandora's Box" (1929) and "Diary of a Lost Girl" (1929). However, when she returned to America her career had virtually ended and by 1938 she had turned her back on Hollywood. Throughout the 1940s and 50s, Brooks lived in extreme economical hardship before being 'rediscovered' by James Card, who encouraged her to write down her memoirs as well as essays that reflected on the silent era.