"Marriage Story" is actually a tale about a divorce - that of two successful theatre artists, Charlie (Adam Driver) and Nicole (Scarlett Johansson). Initially, the film appears to be entirely Charlie’s story but without Nicole, there would be no movie. In the beginning, he is unable to see his wife for who she really is but he grows to see her so clearly that he can fully appreciate the extent of what he’s lost. That theme - of appreciating women as fully formed human beings, equal to their male partners and counterparts - is what makes "Marriage Story" a feminist love story.
Amidst the #MeToo and #TimesUp movements, it as become glaringly obvious how pervasive toxic masculinity, harassment, and abuse are in the film industry. With film and television as not just art forms, but avenues of escapism, how do we watch cinema more responsibly? Following the scathing Weinstein report, MANY men in Hollywood – and some women – have been accused of sexual harassment and assault. This is not a new thing, but we are certainly not remaining as complacent as before. Louis C.K., Harvey Weinstein, Matt Lauer, Charlie Rose, Bryan Singer, R. Kelly and so on are facing exile from the entertainment industry.
This Halloween will probably see many of us revisiting some classic horror films, and it's more than likely that one of those films will be "The Birds" (1963), a horror film from Hollywood's ultimate master of suspense Alfred Hitchcock. And, while "The Birds" is an effective horror (a small coastal town becomes under attack from birds for no apparent reason), what is perhaps more horrific is the story behind the scenes regarding Hitchcock's abusive treatment towards the star of the film, Tippi Hedren.
With a title like "Badass Beauty Queen" one would expect this to be the title of some fast-paced action flick set in the world of Beauty Pageants. However, it is actually the title of an incredibly inspirational and thought-provoking documentary about a young woman who took on an entire governmental regime. The Badass Beauty Queen that the documentary is named after is Miss Canada, Anastasia Lin who was set to represent the country at the Miss World Pageant in Sanya, China in 2015. Lin, who has been outspoken about China's appalling human-rights record, was declared ‘persona non grata’ by the Chinese authorities preventing her from gaining access to the country.