“Marriage Story” is actually a tale about a divorce – that of two successful theatre artists, Charlie (Adam Driver) and Nicole (Scarlett Johansson). Initially, the film appears to be entirely Charlie’s story but without Nicole, there would be no movie. In the beginning, he is unable to see his wife for who she really is but he grows to see her so clearly that he can fully appreciate the extent of what he’s lost. That theme – of appreciating women as fully formed human beings, equal to their male partners and counterparts – is what makes “Marriage Story” a feminist love story. Continue reading “Marriage Story”: A Feminist Fairy Tale
2019 was an eventful year for me, I grew so much as a person and found an outlet to express my writing and thoughts about film as a whole. This isn’t a definitive list by any means but a list of the films that have had the biggest impact on me personally. I have a lot to say about some of these so let’s get started, shall we? Continue reading Reyna’s Top 10 of 2019
“Star Wars: The Last Jedi” (aka the greatest film of all time, don’t @ me) was a film about failure, hope and a genuine sense of rebellion. It ended with a young force-using child symbolizing hope for the future, and the passing of the torch that is the “Star Wars” franchise to a new generation.
“Episode IX” might as well have begun with that child being unceremoniously shot dead by a blaster bolt. “The Rise of Skywalker” is not only a film thoroughly disinterested in continuing the themes and arcs of the previous film, but actively works to undermine them. Continue reading Review- Star Wars: The Rise of Skywalker
As with some of Bambach other films, “MARRIAGE STORY” is long on talk and short on cinema. While most are at least a good watch, this one tricks you into thinking you’re getting a marriage story for the first five minutes, but it’s got a little trick up its sleeve and you soon find out that what you almost fell for, is nothing of the sort. With its sorta jokey NY/LA rivalry theme, and in certain LA frames giving us the “Annie Hall” feels, (along with other films in the same vein appear to be evoked here) but the mere mention of these kinds films only highlights the weakness of this one. Continue reading Review: “Marriage Story” (2019) Netflix