Many people around the world are currently staying at home practising social-distancing to help stop the spread of COVID-19. It's scary and stressful at times and most people have to adjust to working from home and surviving without their favourite extracurricular activities (like going to the movies…) Fortunately, there’s a streaming service whose sole purpose is to make everyone feel better- Disney+! Be it through waves of warm and fuzzy nostalgia or countless hours of family-friendly entertainment to keep the stir-crazy kids occupied, Disney’s vast collection of movies and TV shows could not have come at a better time.
With the beginning of February, Netflix in the Asia Pacific, Europe, Middle East, Africa, and Latin America began to offer Ghibli Studio films in its repertoire. This announcement generated great joy and inspired fans to refresh those classics. Hayao Miyazaki tends to, more often than not, select a female protagonist as a lead and a hero of his films. Coming-of-age stories about young women in a world of fantasy and magic are a great manifesto to learn from, perfect for the young female audience. Two films that are personally very dear to me are "Kiki's Delivery Service" and "Spirited Away."
There are days in which we’ve wished we could influence the weather. Whether it’s to have sunshine on your wedding day, to enjoy the heating sun on your birthday or to get snow when you’re about to go on a ski trip. We might not have that power but Hina Amano from “Weathering with You” (2019) definitely has it. Her wonderful and unique story is now being told in a beautiful, blissful and gorgeously made film by writer/director Makoto Shinkai (“Your Name” (2016), “The Garden of Words” (2013))
Hina (Nana Mori) is going through a very difficult time as her mother is ill. She sits beside her bed every day of the week, and the young girl’s future seems very uncertain. Despite all the tears and heartbreak, there’s also a little bit of sunshine in Hina’s life. Both literally and figuratively speaking. During an enjoyable warm day, Hina passed through a magical pathway that will change her life forever.
Chances are you’ve got a few Christmas classics that you like to watch every year. Maybe you enjoy crime-capers like “Lethal Weapon”, “Die Hard”, or “Kiss Kiss Bang Bang”. You might prefer holiday horrors with “Gremlins”, “Anna And The Apocalypse” or “Love Actually”. Or perhaps you go with family-fare such as “The Muppet Christmas Carol”, “Elf” or “Home Alone”. With Spanish animation “Klaus”, Netflix has released an instant festive classic for all the family, albeit with a lot of dark humour…
Millions of people grew up watching the Moomins; the Finnish forest creatures that look a bit like hippos and their various trollish friends. This film sees the Moomin family in the heart of winter preparing for Christmas, something they’ve never experienced before.
This film might rekindle the childhood of the adults watching bit they may have a bit of explaining on their hands if they want the children to stick it out for the full run time. As inventive and charming as the stop motion animation might be, it wasn’t quite enough to sustain the rather choppy story.
For Disney fans, it is hard to believe that “Frozen” (2013) was released just six years ago. The tale, inspired by Hans Christian Anderson’s “The Snow Queen,” has permeated pop culture in a way that even Walt Disney Pictures couldn’t have predicted when it was released. Directed by Chris Buck and Jennifer Lee, “Frozen”’s themes of family, love, isolation, and finding yourself have resonated with people across the globe. And of course, “Let It Go” became such a hit that it was almost impossible to avoid hearing it for many months. In addition to the film making it onto In Their Own League’s Top 50 Female Directed of the Decade list, now is an appropriate time to look back at the first “Frozen” film as its sequel has just been released.
Six years after asking, “Do you want to build a snowman?” Elsa and Anna return in Disney’s "Frozen 2", this time facing change and the fear of uncertainty.
That’s a more philosophical antagonist for the sisters of Frozen, which earned $1.3 billion worldwide, and a journey that doesn’t entirely feel necessary or without plot holes. But credit director Chris Buck and writer-director Jennifer Lee with crafting an ultimately satisfying story of more mature themes for an audience that’s grown out of the dress-up stage.
“I Lost My Body” (2019) is the first feature film by director Jérémy Clapin. It was shown as part of the “Dare” stream at London Film Festival 2019 which was described as “In-your-face, up-front and arresting: films that take you out of your comfort zone”. That certainly is a good description of this film. The Cannes Critics’ Week Grand Prize winner engages all the senses to take you on a melancholic and emotional journey towards a gruesome end.
Year: 2017 Runtime: 94 Minutes Director: Nora Twomey Writer: Anita Doron, Deborah Ellis Stars: Saara Chaudry, Soma Chhaya, Noorin Gulamgaus By Dominic Corr Gloriously direct, "The Breadwinner" (2017) turns the patriarchal trope of a sole provider into an unflinching tale of a young Afghan girl’s determination, fear and resilience under Taliban rule in 2001. Based... Continue Reading →