To fulfill the desire of the audience, but challenge the genre and status quo, popular and well-known directors, Kathryn Bigelow established her cinematic work in this unique war genre most notably in the 82nd Academy Awards Best Picture winner: The Hurt Locker. Bigelow also received Best Director at the Oscars for this film, and still remains the only woman to ever do this, and one of five women to have ever been nominated. Through the careful and considerate use of character development, mise-en-scene, and camera-work the film displays empathy, patriotism, and accuracy to convey its anti-war themes, focusing around the experience of war through one dynamic and conflicted character. Continue reading Kathryn Bigelow – Masculinity through an Empathetic Lens
Jean-Luc Godard’s “Breathless” made her the star of the French New Wave; this star, however, was an image that its actress, Jean Seberg (Kristen Stewart) wanted to escape from. ‘Seberg’ is a tale of how she attempted to do precisely that. In her efforts to distance herself from the frivolity of the movie industry, she was punished. She was tormented and harassed by the hands of a paranoid government and their propagandist media counterparts; sound familiar?
Stewart is an interesting choice: She isn’t particularly known for the sweetness and perkiness that Seberg is, however, like Seberg, has made a name for herself in French cinema (with some help from Oliver Assayas, she has been given the chance to act alongside and demonstrate her talents with Juliette Binoche). Continue reading Review: Seberg
With “DETROIT” Oscar winning director Kathryn Bigelow’s new turn at making another hard-hitting film, just doesn’t connect completely. Though again, Bigelow takes on delicate subject matter with the expertise of a great filmmaker, and it is a very good film – for about 60 minutes of the 2 1/2 hour run time. ‘Detroit’ takes place in 1967 during the midst of the riots after a black owned Blind Pig bar where patrons were kicked out due to lack of liquor license and eventually leads to the towns people rioting and destroying the nearby businesses, even with tags of “Soul Brother” as a way to try to protect their black owned business. Continue reading ITOL Top 50 Films of the Decade, Entry No. 20: Detroit