James Joyce’s final chapter of Ulysses — a wonderfully difficult piece of fiction from the early twentieth century — features the wave-like storytelling, the continual up and down, that Joyce thought mirrored the April Mullenfemale orgasm. It is told in the thoughts and feelings of Molly Bloom, finishing this eighteen-chapter saga as a woman’s story. Continue reading “That Flooding Rush:” the Ebb and Flow of Below Her Mouth