The review of Autumn de Wilde’s “Emma” that I am about to place in your hands is the fourth time (that I can think of) that I have written about Jane Austen. I focused my undergraduate thesis on three of Jane Austen’s novels, Pride and Prejudice, Emma, and Persuasion. I covered female friendships in a piece featured in Aubrey Fink’s The Bridge, and I wrote “As If!: How Amy Heckerling’s Clueless Pays a Lovely Tribute to Jane Austen’s Emma” for this site a few months back. De Wilde’s “Emma” gives me another unique privilege in that I get to witness Jane Austen portrayed in a new light that I have not witnessed before. I have seen a majority of the previous Austen adaptations and have read almost all of her novels (almost). I also get to write about a Jane Austen marriage that strikes me as incredibly unique. De Wilde’s “Emma” remains historically accurate in matters such as wardrobe and story, with a few twists to this classic love affair.
The second I saw the trailer for director Autumn de Wilde’s adaptation of Jane Austen’s beloved comedy “Emma.”, I just knew that it was something special. Even as someone who wasn’t familiar with the book in the slightest, there was just something so visually appealing and intriguing and it looked to kick off an incredible year for Anya Taylor-Joy. Now, that the film has finally hit theatres, it has met and exceeded my expectations and bolsters some of the strongest performances we’ll likely see this year – especially from Taylor-Joy.
I walked into the screening for this film without any knowledge of the story nor have watched any previous adaptations. I'm a sucker for period pieces and after watching the trailer to this film, I immediately knew this would be on my to watch list. "Emma" is directed by Autumn de Wilde and it stars Anya Taylor Joy, Johnny Flynn, Bill Nighy, Mia Goth, Myra McFadyen, Josh O'Connor, and Callum Turner. This film follows the "Handsome, clever and rich" Emma Woodhouse who's been meddling in other people's lives as a matchmaker. The costume design and production design are the strongest suits in this movie. Oh gosh, the costumes in this film are gorgeous. The attention to detail in the movie is impeccable.
Last year was probably one of the best years for film in quite some time. Throughout the entire fall, week after week, it felt like the phrase “oh, this is going to be in my top ten for sure” became incredibly common. From Bong-Ho Joon’s enthralling and mind-blowing depiction of class with “Parasite” to the box-office smashing end of the Infinity Saga with the Russo Brothers’ “Avengers: Endgame”, there were so many new kinds of stories and visions that constantly pushed genre boundaries. 2019 was especially a great year for female filmmakers as there was an onslaught of incredible films from both new and already established women in film.