The recent Oscar buzz around Sam Mendes’ “1917” prompted a reviewing of one of the more famous war films of the 1940’s, “Best Years of Our Lives” (1946). Myrna Loy deserved a Best Supporting Actress Oscar for her role in this male dominated film as a much-needed representative of the women who welcomed their men home from WWII. To a lesser extent, Teresa Wright also deserved recognition, but it is Loy who helps tie the stories of three servicemen just returning home together into one powerfully moving story. Continue reading Should’ve Been a Contender: Myrna Loy for “Best Years of Our Lives”
According to the website ‘Women and Hollywood’ only two percent of the top 100 films of 2019 had female cinematographers. Two whole films…Cinematography is beautiful and so necessary to film. Which is why I think it is a shame that Reed Morano has never been recognized for her work. Continue reading Should’ve Been a Contender: Reed Morano
Looking back on the past decade, one of the best and most overlooked leading actress performances is Gugu Mbatha-Raw in “Belle” (2013). It was a strong year for leading ladies at the Oscars, with Amy Adams, Sandra Bullock, Judi Dench, and Meryl Streep nominated and Cate Blanchett taking home the award. And yet, Mbatha-Raw’s performance is one of those that sticks out to me the most when reflecting on the past decade in film. She certainly deserved to be a contender, but unfortunately, though the film garnered mostly positive reviews, it simply wasn’t widely seen. Continue reading Should’ve Been a Contender: Gugu Mbatha-Raw for “Belle” (2013)
With awards season in full swing and director Marielle Heller’s newest film “A Beautiful Day in the Neighborhood” being a big name in all the awards buzz, it’s the perfect time to look back to last year when she brought the story of author Lee Israel to life with “Can You Ever Forgive Me?”.
There wasn’t a film that I backed as hard last year to win any and every award possible as much as this film because I truly think it’s perfect. It tells the fascinating and true story of Israel (Melissa McCarthy) falling out of touch with the modern world of literature and turning her talent for being factual into a forgery. Continue reading ITOL Top 50 Films of the Decade, Entry No.6: Can You Ever Forgive Me?
If you’re feeling disheartened by the latest Golden Globe nominations ignoring fantastic female filmmakers just take a look at the WFCC awards. Hopefully, you can find comfort in their celebration of women in film.
The Women’s Film Critic Circle is a group of 75 female critics and scholars. It was established 15 years ago in the belief that women’s perspectives in criticism need to be fully recognised. Continue reading The 2019 Women’s Film Critic Circle (WFCC) awards winners
Awards season is upon us! Many nominees and winners from multiple critics organizations have already been decided and on December 9th the nominees for the 77th Golden Globe Awards were announced. No huge surprises, maybe a few snubs, and a huge presence of films and tv shows from streaming services. Netflix received an impressive 35 nominations across 21 categories, including two prime contenders for Best Motion Picture – Drama. Unfortunately, something that seems to be an ongoing trend with the Golden Globes is their inability to recognize female filmmakers. Continue reading Recap: Golden Globes Nominations
The 2020 Independent Spirit Awards nominations have recently been announced with Roger Eggers “The Lighthouse” and Benny Safdie and Josh Safdie‘s “Uncut Gems” being nominated for five awards including Best Director. The other big films to receive multiple nominations also include Alma Har’el‘s “Honey Boy” and Music Box’s comedy “Give Me Liberty”. Out of the six directors nominated for best director, two of the nominees … Continue reading Gems, Hustlers and Keepers: 2020 Independent Spirit Awards nominations
On 30th October the nominations for the 2019 British Independent Film Awards were announced. In total 38 British feature films were nominated and the results will be announced on Sunday 1st December in a ceremony hosted by Aisling Bea. 40% of the nominations were for women and 60% for men – if you count a nomination for a film as a nomination for the director. Continue reading The Women Of The 2019 British Independent Film Awards