“Wounds” is Babak Anvari’s latest film–he is a British-Iranian filmmaker best known for his directorial debut in 2017 with the brilliant “Under the Shadow”. Here, he takes the same cultural critique approach of that film and uses that framework to critique millennials. “Wounds” is based on Nathan Ballingrud’s novella, “The Visible Filth”–which I haven’t read, but if the conclusions this film draws are similar to those of the source material, then by god, I want it on my kindle NOW. Continue reading “Wounds” Analysis: Attempting to Find Meaning in Filth