Set in a tough but glamorous moment in time, “MOTHERLESS BROOKLYN” follows Lionel Essrog (Edward Norton) after the murder of his closest friend and colleague Frank Minna (Bruce Willis). Lionel is hellbent on unraveling the reason and discovering why Frank was killed and who is the killer. He finds himself on a paper trail across Brooklyn, never giving up on his plan. Being that Lionel is someone someone who also happens to suffer from Tourettes or Tertz Syndrome, and other verbal and motor tics, yet is endowed with perfect pitch of a memory that forgets nothing, makes him a true asset in the world of being part of Minna’s boys – the team of the Private Investigation office of Frank Minna. He is a character that has a lot of depth to get behind, and being one that needs a great performance in order to be authentic. And we are given that performance in spades, not only by Norton, but the fantastic entire ensemble cast of this film.
“THE IRISHMAN” is both a period piece and an almost historical type piece as you need to know a little history to understand the direction of the narrative and flow of this epic film. The movie, while following Frank “The Irishman” Sheeran (Robert De Niro) as our designated main character, revolves around Teamsters union boss James “Jimmy” Riddle Hoffa (Al Pacino). Fortunately Frank goes to great lengths to narrate the story for the audience and provides a healthy dose of context for those of us not from the Kennedy era.