The British Academy Film Awards are somewhat of a black sheep in the trinity of lavish, self-indulgent film awards ceremonies in the early months of each new year. Their bizarre practice of pre-recording the ceremony – so the winners end up announced before it’s even televised – then editing out a bunch of the technical and ‘smaller’ awards, makes it a very lacklustre viewing experience. Though that being said, there’s a lot to say about the awards and the ceremony itself. First, and most obvious, is the sweep of “1917”. Seven wins out of nine nominations, only losing Makeup and Hair to “Bombshell” and Original Score to “Joker”. Not unexpected given the film’s staggering momentum this awards season, plus the film being British which the BAFTAs highly favour. But it’s still telling. Expect “1917” to make a similar sweep of the upcoming Academy Awards, with a near-guaranteed shot at Best Picture and Best Director, winning both of its equivalents here.
To celebrate the last decade 2010-2019 we are counting down the best actresses and discussing some of their most notable and memorable performances of the last decade. With the help of Film Twitter, the ITOL team have selected 30 actresses. Entry No. 16 is Margot Robbie, and writer Nicole Ackman discusses Robbie’s career over the last decade.
For me, 2019’s most divisive film was “Bombshell.” which chronicles the downfall of right-wing propagandist Roger Ailes (John Lithgow). Ailes, a well-known predator, was eventually ousted at Fox News, the 'fascist' juggernaut he created. Numerous women came forward with horrific stories of sexual harassment and abuse. “Bombshell” highlights the story of three characters - two real women and one who is the amalgamation of stories. The real women Megyn Kelly (Charlize Theron) and Gretchen Carlson (Nicole Kidman) have a history of perpetuating the far-right ideology of Fox News. Kayla (the stellar Margot Robbie) is a fictional portrayal of many women who encountered Ailes.
"Bombshell," tells a tale of how neither predators nor victims fit into a box; anyone, no matter who they are, or how they identify, can be capable of harassing/being harassed. It showcases the events which brought each of these women, at first hesitant to speak up, to eventually speak their truths. This isn’t a film which will change anyone’s mind on politics: staunch, conservative viewers of Fox may be slightly put off by Hollywood’s opinion of their favourite news network