Can you recollect those moments from your life that become exceedingly significant for you and your memory, although they don't seem vital for your life path? I, for example, often think about that time when my wife and I got stuck on West Magnolia Boulevard and North Niagara Street. Her car broke down; hence we had to wait for a tow truck. It took a couple of hours to organize this. Not wanting to waste time, we went to buy a sandwich in a little Italian-styled restaurant and waited for a rescue.
The British Academy Film Awards are somewhat of a black sheep in the trinity of lavish, self-indulgent film awards ceremonies in the early months of each new year. Their bizarre practice of pre-recording the ceremony – so the winners end up announced before it’s even televised – then editing out a bunch of the technical and ‘smaller’ awards, makes it a very lacklustre viewing experience. Though that being said, there’s a lot to say about the awards and the ceremony itself. First, and most obvious, is the sweep of “1917”. Seven wins out of nine nominations, only losing Makeup and Hair to “Bombshell” and Original Score to “Joker”. Not unexpected given the film’s staggering momentum this awards season, plus the film being British which the BAFTAs highly favour. But it’s still telling. Expect “1917” to make a similar sweep of the upcoming Academy Awards, with a near-guaranteed shot at Best Picture and Best Director, winning both of its equivalents here.
Anne Rice’s debut novel, “Interview with the Vampire” was published in 1976 and was somewhat controversial at the time for its openly erotic depiction of the undead. Two years later, “Dracula” would open on Broadway with first Frank Langella and then Raul Julia as the Count with obvious sex appeal. The book would take nearly two decades to be adapted to the screen but by that time, Rice had paved the way for vampires to be portrayed with animal magnetism such that Bela Lugosi would never have gotten away with in the 1930’s. Brad Pitt plays Louis as a mournful sympathetic vampire, regretful of his lost humanity and the loss of human life he is directly responsible for. His desire to unburden his conscience sets up the interview of the film’s title as he tells his life story to Christian Slater. Director Neil Jordan deliberately shows Pitt as androgynous with long hair, perfect skin and full lips. It is no surprise that the vampire Lestat (Tom Cruise) desires him or that other vampires will want to possess him as well
"Ad Astra" is more drama than it is sci-fi; this is a rumination on whether or not the pursuit of knowledge is worth the expense of one’s humanity. Admirers of contemplatively mournful futuristic films like “Solaris”, “Gravity”, and “Arrival” will have much to stare at with wonder here. The film is also a provocative meditation on masculinity and how it’s defined by most people today.