Terry Gilliam created a nightmarish vision of the future in 1985 with possibly his best-known film “Brazil.” That proved to be just a warm-up for the mind-bending, chilling dystopia of “12 Monkeys’ (1995) which has only become even more prophetic in the current worldwide pandemic of COVID-19. The husband and wife team of David and Janet Peoples wrote a screenplay that is surprisingly poignant in its subtext of compassion and kindness being vital to treating mental illness.
As much as protagonist James Cole struggles with the anguish of his post-traumatic stress, we now face our own troubling and harrowing present. It is a harsh reminder that while our reality is not as fatally bleak as Cole’s, it is a strain on the mental health of us all. Continue reading 12 Monkeys (1995): Trauma and The Prescience of Gilliam’s Vision
Can you recollect those moments from your life that become exceedingly significant for you and your memory, although they don’t seem vital for your life path? I, for example, often think about that time when my wife and I got stuck on West Magnolia Boulevard and North Niagara Street. Her car broke down; hence we had to wait for a tow truck. It took a couple of hours to organize this. Not wanting to waste time, we went to buy a sandwich in a little Italian-styled restaurant and waited for a rescue. Continue reading The City of Angels Perceived Through One’s Eyes And Hollywood Depicted in “Once Upon a Time In Hollywood”
Anne Rice’s debut novel, “Interview with the Vampire” was published in 1976 and was somewhat controversial at the time for its openly erotic depiction of the undead. Two years later, “Dracula” would open on Broadway with first Frank Langella and then Raul Julia as the Count with obvious sex appeal. The book would take nearly two decades to be adapted to the screen but by that time, Rice had paved the way for vampires to be portrayed with animal magnetism such that Bela Lugosi would never have gotten away with in the 1930’s.
Brad Pitt plays Louis as a mournful sympathetic vampire, regretful of his lost humanity and the loss of human life he is directly responsible for. His desire to unburden his conscience sets up the interview of the film’s title as he tells his life story to Christian Slater. Director Neil Jordan deliberately shows Pitt as androgynous with long hair, perfect skin and full lips. It is no surprise that the vampire Lestat (Tom Cruise) desires him or that other vampires will want to possess him as well Continue reading Retrospective Review: Interview with the Vampire: The Vampire Chronicles
“Ad Astra” is more drama than it is sci-fi; this is a rumination on whether or not the pursuit of knowledge is worth the expense of one’s humanity. Admirers of contemplatively mournful futuristic films like “Solaris”, “Gravity”, and “Arrival” will have much to stare at with wonder here. The film is also a provocative meditation on masculinity and how it’s defined by most people today. Continue reading Ad Astra And The Evolution Of Masculinity In Film