Review: Men

What is Alex Garland’s “Men” all about? It’s perhaps one of this year’s most intriguing and most haunting horror films, but its actual meaning is wrapped in a cocoon of mystery and enigma. Is it a modern retelling of the legend of the Green Man? Is it a home invasion film for the #MeToo era? It’s hard to find the words to describe “Men” to you. How do I give a brief synopsis of the film without revealing too much? With a film like “Men” it’s best to go into the theater knowing as little as possible in order to gain the most impact from the film’s content.  Continue reading Review: Men

Pause and Reflect: Why I am Glad I Gave “The Souvenir” a Rewatch

Sometimes, we simply need to pause and reflect on a film, and if you can’t stop thinking of it then it’s worth returning to it. I’m not sure whether I want to see any of Hogg’s other films, or even see “The Souvenir Part II” but I do know that I am grateful that I gave “The Souvenir” another chance.  Continue reading Pause and Reflect: Why I am Glad I Gave “The Souvenir” a Rewatch

The Women Of The 2019 British Independent Film Awards

On 30th October the nominations for the 2019 British Independent Film Awards were announced. In total 38 British feature films were nominated and the results will be announced on Sunday 1st December in a ceremony hosted by Aisling Bea. 40% of the nominations were for women and 60% for men – if you count a nomination for a film as a nomination for the director. Continue reading The Women Of The 2019 British Independent Film Awards

Why We Shouldn’t Overlook Bride And Prejudice

In August, Gurinder Chadha’s latest film “Blinded by the Light” (2019) was released. It tells the story of a young Pakistani man in England who finds his voice through Bruce Springsteen’s music despite struggling with discrimination. It’s hardly the first time that Chadha has explored the theme of cultural inclusion, exclusion, and immigration. Chadha herself is an Indian woman raised in England so she brings her personal experiences to the films she writes and directs, including her most famous “Bend It Like Beckham” (2002).

The release of her latest film seems like a good time to revisit one of her earlier works, “Bride and Prejudice” (2004), which often doesn’t get the credit it deserves. Continue reading Why We Shouldn’t Overlook Bride And Prejudice