Terry Gilliam created a nightmarish vision of the future in 1985 with possibly his best-known film “Brazil.” That proved to be just a warm-up for the mind-bending, chilling dystopia of “12 Monkeys’ (1995) which has only become even more prophetic in the current worldwide pandemic of COVID-19. The husband and wife team of David and Janet Peoples wrote a screenplay that is surprisingly poignant in its subtext of compassion and kindness being vital to treating mental illness.
As much as protagonist James Cole struggles with the anguish of his post-traumatic stress, we now face our own troubling and harrowing present. It is a harsh reminder that while our reality is not as fatally bleak as Cole’s, it is a strain on the mental health of us all. Continue reading 12 Monkeys (1995): Trauma and The Prescience of Gilliam’s Vision
Set in a tough but glamorous moment in time, “MOTHERLESS BROOKLYN” follows Lionel Essrog (Edward Norton) after the murder of his closest friend and colleague Frank Minna (Bruce Willis). Lionel is hellbent on unraveling the reason and discovering why Frank was killed and who is the killer. He finds himself on a paper trail across Brooklyn, never giving up on his plan. Being that Lionel is someone someone who also happens to suffer from Tourettes or Tertz Syndrome, and other verbal and motor tics, yet is endowed with perfect pitch of a memory that forgets nothing, makes him a true asset in the world of being part of Minna’s boys – the team of the Private Investigation office of Frank Minna. He is a character that has a lot of depth to get behind, and being one that needs a great performance in order to be authentic. And we are given that performance in spades, not only by Norton, but the fantastic entire ensemble cast of this film. Continue reading Review: “Motherless Brooklyn” (2019) Warner Bros. // Post Q & A: Edward Norton & Gugu Mbatha-Raw