There is something magical in animation, as anyone who has ventured to try creating in the visual style knows. Clay animation is a special kind of crazy magic; crazy, because of how a shapeless blob can be given movement and form but also because of the time and focus that is required for it to be done well. Maybe Will Vinton was a special kind of crazy for his incredible talent that took animation to a new level, but the personal cost to him and to those who believed in his dreams proved devastating. “ClayDreams” (2021) is a cautionary tale of how art and finance don’t necessarily play well together, sometimes with heartbreaking results. Continue reading Tribeca Film Festival Review: ClayDream