Year: 2020 Runtime: 1hr 35min Director: Carlo Mirabella-Davis Stars: Haley Bennett, Austin Stowell, David Rasche, Elizabeth Marvel, Laith Nakli By Peggy Marie Not sure why IMDB had this noted as a horror/thriller and have since changed it as to be clear, this is not a horror film, but yes, it is a thriller of sorts. But please don’t go in expecting horror movie from “SWALLOW” as it’s … Continue reading REVIEW: “SWALLOW” IFC FILMS
By Morgan Roberts Wow. 2020 was a giant dumpster fire, wasn’t it? But here’s the thing: television and films saved us. The arts are always the first thing to go with budget cuts, but without art this year, how many of us would have the respite we so desperately needed during this time? So, thank you to everyone who puts their all into their craft, … Continue reading Morgan’s Top 10 Films of 2020
Good news everyone, there’s only 177 days left of 2020! Did you check out our picks for numbers 15-11? Well, if not then you can find them here. We’re not going to lie, picking our top 15 films of the year (so far) has been tough especially seeing how release dates of certain films have been delayed and how we’ve been trapped inside for months. However, we’re pleased that the ITOL team have come together to create our top 15 films from the last 6 months. Please let us know which films make your top 15 list and what films are you looking forward to catching later this year! Continue reading ITOL Top 15 Films of 2020 (So Far), Numbers 10-6
Somewhere in upstate New York, Hunter (Haley Bennett) stands on a balcony of a cold, glass house which overlooks a gloomy forest. This is a house with sapphire drapes which match her various knee-length skirts. We are immediately inducted into a world of isolation and familiarity–a world of neatness and artificial perfection. A world which, director Carlo Mirabella-Davis suggests, is one no normal human being could instantly acclimatize themselves to; one so laced with control and implemented order.
Hunter has a perpetually fixed smile of obedience and understanding on her face whenever she’s in the presence of her husband, Richie (Austin Stowell); it’s a smile so forcibly fixed, it has the authenticity of a hundred dollar Prada bag. Hunter, for a long stretch of this film is the perfect embodiment of mute feminine submission; it’s as if she herself understands that she is better seen, not heard. She spends her days mostly idle; decorating her soon-to-be-born infant’s bedroom, making dinner, and playing mindless phone games. Continue reading Review: Swallow