For this Women’s History Month, I have decided to focus on creating some top ten lists which discuss films, biopics and documentaries about women in history that will hopefully inspire and inform readers about the accomplishments of women throughout history. For this piece I am focusing on ten women who deserve their own biopics and will be discussing who I think should star in the film, who could possibly direct the film and why their stories deserve to be seen on the big screen. Continue reading Women’s History Month- 10 Inspiring Women Who Deserve Their Own Biopic
We’re back with another list of 10 films that you can wacth on Amazon Prime, that just so happen to be from a female filmmaker. Hopefully, these films will keep you entertained and we hope there are some featured on here that you aren’t aware of. Let us know some of your recommendations in the comments below. Continue reading Prime Viewing: Part 2
Whether you have gotten into the “Blue is the Warmest Color” discourse waving a flag of strong opinion, or fallen head over heels for Céline Sciamma’s sweeping lesbian romance “Portrait of a Lady on Fire”, it’s clear that French cinema is back on the upswing after years out of the spotlight in cinephile circles. With “Mustang” as the nation’s sole Oscar success in nearly a decade, it’s clear that France’s future of filmmaking is not with the old tradition, but with the new wave of younger female filmmakers on the rise, often blowing critics away on debut films. Continue reading In the Wake of 50/50: 10 Underseen French Films from Female Directors
“It’s done,” Céline Sciamma said through laughter, “I don’t need your approval!” Ten minutes earlier, a lengthy applause break punctuated the film screening and Sciamma was welcomed to the stage with a standing ovation. Sitting in a folding director’s chair on-stage in the sold-out Music Box Theater in Chicago, IL, Sciamma shared insights on the filmmaking process during a question and answer session with the audience. The early pre-screening of “Portrait of a Lady on Fire” (2019) was part of a press tour preceding the films wide release in the United States. Continue reading Review: “Portrait of a Lady on Fire” and Q&A with Céline Sciamma
“Portrait Of A Lady On Fire” is a wonderfully subtle, minimalist film, one that trusts the audience’s ability to pick up on the slightest glance, the coyest smirk. It’s also worth nothing that the director is herself a queer woman, having known Haenel as a partner both professional and romantic, and reminding us that queer and trans folk should be taking the lead on LGBTQ+ cinema. Continue reading ITOL 2019 Round-up: Portrait Of A Lady On Fire
As we approach the end of 2019, the ITOL team are compiling their end of year lists of their favourite films. Here’s James Cain’s list and his personal top 20 films of 2019!
Another year, another fresh bout of shame. I didn’t see “Hustlers”! I didn’t fit “Always Be My Maybe” onto my list of favourite movies! Anyway, here are my Top 20 Films of 2019. Continue reading JC’s Top 20 Movies Of 2019
This is the female gaze like you’ve never seen it before. “Portrait”–a film set in Brittany, France in the 18th century–is a showcase of how the depths of insight and poignancy in a work of art comes as a result of the artist having a deep, loving, obsessive understanding of their subject. It is a film about two women on an island with hardly anyone else around them and the painfully, yet deliciously slow romance that materializes from a connection of their minds, bodies, and souls.
The film is thematically rich and daring, yet never once seeks to shove a message or agenda down your throat; it’s a love story, plain and simple. Writer/director Céline Sciamma clearly isn’t interested in subverting history in an effort to appease the needs of a contemporary audience–yet in spite of that, this is a film brimming with human truths. It is reminiscent of the underpinnings and themes found Greek and Gothic literature and poetry. Tender, yet complex and multifaceted–this is in no way a political film, but rather, a subtle social commentary on the kinds of job opportunities available to women in the 18th century. Continue reading Review: Portrait of a Lady on Fire
This upcoming Wednesday, (2nd October), is when this year’s LFF (London Film Festival) will be starting. Yours truly will be attending for a few days and doing her best to cram as many films as possible. This year’s festival is quite remarkable in the fact that 60% of films which have been selected for the competition have been directed or co-directed by a female. This is a great achievement for female representation in the industry, especially when we recall how this year’s Venice Film Festival only two films in competition were from a female filmmaker. Continue reading LFF 2019: A Celeberation Of Female Filmmakers