Queen (Jodie Turner-Smith) and Slim (Daniel Kaluuya) open our story on what is clearly a first date. She an attorney and he a passive religious type, not seeming to even have one single thing in common down to even the tiniest of facts that she orders a salad while he orders steak and eggs. When the eggs aren’t scrambled the way he ordered, she expects him to make a fuss to the waitress and when he doesn’t, she seems to throw shade not just at this fact, but that the diner feels ‘cheap’ to her. But there is more to this that meets the initial eye as he slowly makes his point to her. Not only is the waitress someone he knows from his neighborhood and single mother supporting her kids on her own, but the business is Black-owned, making the reasoning behind his choice much more than ‘cheap’. This is just the first thing that will make you start to take notice of all the little things that happen throughout this film.
“I really don’t know what’s real anymore,” Bess says in “Love is Blind” (2019). Much of this film revolves around the audience figuring out what is real rather than in Bess's head. Andy Delaney and Monty Whitebloom direct this quirky romantic dramedy about loneliness, grief, and healing. It has a solid cast and is an imaginative film, making it always engaging despite its wacky and sometimes hard-to-follow plot. “Love is Blind,” written by Jennifer Schuur, is about a girl named Bess (Shannon Tarbet) who cannot see her mother (Chloe Sevigny) and believes that she passed away a decade ago. Through the course of the film, the audience realizes that her mother is very much alive but that her ‘selective blindness’ is Bess’s way of coping with a traumatic event in the past.