Chances are you’ve got a few Christmas classics that you like to watch every year. Maybe you enjoy crime-capers like “Lethal Weapon”, “Die Hard”, or “Kiss Kiss Bang Bang”. You might prefer holiday horrors with “Gremlins”, “Anna And The Apocalypse” or “Love Actually”. Or perhaps you go with family-fare such as “The Muppet Christmas Carol”, “Elf” or “Home Alone”. With Spanish animation “Klaus”, Netflix has released an instant festive classic for all the family, albeit with a lot of dark humour…
We all know the rules, and instructions can be important: No water, no bright lights, and no eating after midnight (though, when does that one- end?). If you break these very important details, you’ll take an adorable fuzzy creature and trade it with a hellion set to ensue chaos and eat everything in sight. Of course, I’m talking about “Gremlins." (1984)
Let me make it clear up front that I really like “Elf” (2003) and no Christmas is complete without it. It’s consistently ranked among the top Christmas films of all time and is screened at cinemas every year. With that in mind, I want to talk about the way the film treats women.
To say that "Black Christmas" is the movie society needs to take note of is a massive understatement. Directed by Sopia Takal and written by herself and April Wolfe, "Black Christmas" is a modern updating of the 1974 classic. Whereas most remakes and reboots take the safe and give us what we as an audience expect, this 2019 update is at once a loving tribute to the original but also pushes it into scary and very real directions. Lead by a standout performance by Imogen Poots as Riley Stone, "Black Christmas" has themes that are sure to resonate with young women. Riley, herself a victim of a sexual assault, is forced throughout to constantly face her abuser and the ramifications of her speaking out against him.