The term “cinephile” sounds pretentious, right? Identifying as a cinephile means you are an individual who is fascinated and has a passionate interest in cinema. To me, that means you also have an appreciation for cinema. It’s funny sometimes that people find that cinephiles, and film critics especially, love film so much that they hate it. But that is what we do: criticize, analyze, challenge, obsess, discuss, and adore film and it’s creators. Sometimes I question if I am a terrible critic, because I truly attempt to appreciate each and every film I watch. I compare it to people: people have their flaws and I still try to find the best in everyone I meet. As someone who understands, even at a minimal level, what it takes to make a production happen, I have to appreciate the art that comes from it. Continue reading Cinephiles: it’s not for everyone
The first woman to ever direct a movie was Alice Guy-Blaché. Then came Louise Kolm-Fleck. But there is a significant difference between the two. One has made her mark in the history books, is considered a milestone, and does ring a bell for even those not too familiar with female film history. The other one vanished into obscurity. One might argue, if she was “only” the second, maybe that’s why we don’t talk about her anymore? Continue reading In Their Own League Hall of Fame: Louise Kolm-Fleck
Do you remember the first time you saw yourself in a movie or television show? Do you remember the feelings that go with it? The shock of seeing your reflection. The little guilt that comes with your weaknesses or faults. The elation you feel seeing yourself. And also the relief that there is at least one person in the world who sees you, authentically and unabashedly.
I find it difficult to have those moments. The first film that ever struck me that way was 2010’s “Easy A.” Emma Stone stars as precocious, intelligent, ego-centric teenager Olive, who thinks she can outsmart life and feelings. I loved that film so much. I still feel a bit of a high every time I see it. Continue reading Editorial: It Is Exhausting Trying to Find Myself in Cinema, And That’s a Problem
Cinematic comedies can be a curious thing to examine, due to the fact that humour is very subjective. No matter how far out the premise a comedy may be, the humour can always reach its mark if one can relate to it and if it is delivered with panache. It could be a revisionist parody of the King Arthurian legend like Terry Jones’ and Terry Gilliam’s “Monty Python and the Holy Grail” (1975) or a taboo black comedy about the twisted human behaviour behind rape like Paul Verhoeven’s “Elle” (2016); if the execution and immersion of the humour and filmmaking work, comedy can always have the ability to reach for greener pastures. Continue reading Review: Greener Grass