Review: Harriet

Here it is, 2019, and we’re just getting our very first feature film biopic of civil rights legend Harriet Tubman. It’s just a shame that it isn’t a more inspired one. Cynthia Erivo is more than competent in the lead role, bringing a vibrancy and determination to Tubman’s heroism, but the rest of the film is a drab, paint-by-numbers biopic. Harriet was born a slave, under the name of Araminta Ross. When the film begins, she and her free husband John (Zackary Momoh) are unsuccessfully arguing the legality of her enslavement with her master. Their failure to negotiate Harriet’s freedom makes them so desperate that they discuss running away together, but circumstances transpire that force her to take the long, arduous journey north alone.

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