Ah, the joys of a sleepover party with your BFF! "Waffle" is a fun take on the sleepover/slumber party chick-flick film, it's deliciously dark and a wonderfully amusing short film that leaves you aching for more. With "Waffle" director Carlyn Hudson and writers, Kerry Barker and Katie Marovitch examine how fractured we have become as a society and how we crave affection from others, the film looks at the lengths some people will go in order to gain friendship and the how a seemingly ordinary girls night can quickly escalate into a full-blown nightmare. The film opens with what appears to be a very normal situation, two young women dressed in pyjamas, sat on the sofa drinking wine. The two women are Kerry (Barker) and the socially awkward, mysteriously orphaned heiress Katie (Marovitch). Already things appear off when Katie gets angry with Kerry for retelling a story incorrectly, and when a timer suddenly goes off it becomes clear that Katie and Kerry are not really friends. Katie is using an 'Uber-like' service where she has hired Kerry to be her friend.
For the last thirty or so years, stand-up comedy has been a massive part of popular culture in the West. On both sides of the Atlantic, comedians transcended their circuits’ clubs and stages and moved into screens both big and small, become household names on a par with the most successful movie stars and television personalities. In all that time though, the biggest names and faces in comedy were rarely women, and even fewer were women of colour; the latter being very much the case to this day, even when female comedians are beginning to get a bigger share of the stage. Enter “All Joking Aside”, the directorial feature debut of Shannon Kohli, which tells the story of Charlene “Charlie” Murray (Raylene Harewood), a young woman with the ambition to become a professional stand-up comedian, a dream she shares with her late father.
Horror genre cinema has been making a lot of impact in the indie circles this past decade. With upcoming filmmakers from all over the world like Julia Ducournau, Ari Aster, Robert Eggers, Coralie Fargeat and others; it is an exciting time to be a filmgoer. But there is one man that has not only starred in great genre pieces, but has helped produced many of them as well. That man is Elijah Wood. Best known for his work in the "Lord of the Rings" trilogy, he has acted in interesting projects that took him out of the blockbuster luster. While there were films that did not succeed so well eg. "Green Street"; there were films that shocked audiences due to his change in image like "Maniac" (2012) and "Sin City" (2005). Since then, he has worked on more genre films like "Grand Piano" until he started his own production company (with Daniel Noah and Josh C. Waller) called Spectrevision; which produced fantastic films like "Mandy", "The Greasy Strangler" and "Colour Out of Space".
To celebrate the last decade 2010-2019 we are counting down the best actresses and discussing some of their most notable and memorable performances of the last decade. With the help of Film Twitter, the ITOL team have selected 30 actresses. Entry No. 24 is Melissa McCarthy, and guest writer Billie Melissa discusses McCarthy's career over the last decade
January 20th, 2020 is a date that will go down in infamy as the end of one the greatest eras in modern television : the brief but powerful reign of "Bojack Horseman", star of screen and book. Five and a half moving, funny, poignant, brilliant seasons have left little doubt that Raphael Bob Waksberg and friends will knock the final six episodes out of the park but there are many questions left about how our dubious hero will say his final goodbyes. Besides "The Office" ( the soundtrack of my life) there are few shows I have examined as carefully or studied as intensely as "Bojack Horseman". It is the only show I’ve ever loved enough to consider a fan tattoo. My careful examination of a show that rewards careful examination has revealed the following : Bojack Horseman’s (Will Arnett) life is in danger.
Staring Beanie Feldstein and Kaitlyn Dever, Olivia Wilde's comedic coming-of-age film "Booksmart" follows two overachievers who attempt to cram years of high school fun into one night. Yet, their friendship will be tested when they are confronted with the changes and obstacles that come with graduation and growing up. One of the main messages of this film revolves around the importance of experience and breaking out of your comfort zone. Best buds, Molly and Amy both seem to have wasted the fun times of high school by relentlessly studying so they decide to turn the night before graduation into the ultimate high school experience.
Written, directed, and edited by Amy Taylor, this mockumentary takes aim at hubris, toxic masculinity, and violence.
“Hunter’s Weekend” (2018) follows two park rangers as they prepare for their annual hunter’s weekend. Lyle (Benjamin Geunther) and Victor (Christopher J. Young) are prepared for what they hope is another great experience when one of the selected hunters is found dead. “We have really strict rules about hunting other competitors.”
Why would they have such strict rules? Oh, because everyone who is there to hunt hunts, actual people, like Richard Connell’s short story, The Most Dangerous Games, or the grounded Universal film, “The Hunt.” On top of that, the hunters are not just normal hunters but actual serial killers. With the death of the participant, Lyle and Victor go on the hunt (pun intended) for the killer.
In a day and age when the entire world is crumbling around us, it is nice to have shows with heart but also do not take themselves seriously. “Perfect Harmony” is just that show.
The overarching premise of the show is Arthur (Bradley Whitford) plays a recently widowed Ivy League music professor becomes the director of a rural Kentucky church choir. Ginny (Anna Camp) is his main confidant and part of the reason he agrees to direct her church’s choir. That and to beat the local mega church which refused his late wife’s wish to be buried in their cemetery.
Given how much the late night talk show has been revitalised in recent years with the advent of online video, it’s shocking it has taken Hollywood this long to make a modern comedy set within that world. After all, there’s nothing more tantalising for a comedian to write than a movie about the nature of comedy. But with "Late Night", the filmmakers have gone beyond merely dramatising the ins and outs of putting on a show and made something of a landmark to the current state of media; an encapsulation of everything both great and terrible about it, and a clear vision of how we can make it better.
"Late Night" hits a lot of the expected beats of the workplace comedy: the fresh-faced newstart comes in, the veterans are dubious of them, they make their early mistakes but learn the ropes, they bring fresh ideas to the table, and eventually gain the trust of their new colleagues. However, getting past the formulaic structure, it’s clear that the filmmakers are using the familiar platform as a building block to share topical ideas.