
7 Days: LFF2021 Review
This low budget covid-based dramedy takes a look at the nature of love and unlikely relationships. But with surface level characters and a thin storyline its efforts are hampered. Continue reading 7 Days: LFF2021 Review
This low budget covid-based dramedy takes a look at the nature of love and unlikely relationships. But with surface level characters and a thin storyline its efforts are hampered. Continue reading 7 Days: LFF2021 Review
Year: 2021 Runtime: 108 minutes Director: Wes Anderson Writers: Wes Anderson (screenplay/story), Roman Coppola (story), Hugo Guinness (story), Jason Schwartzman (story) Actors: Bill Murray, Owen Wilson, Tilda Swinton, Benicio Del Toro, Lea Seydoux, Frances McDormand, Timothee Chalamet, Jeffrey Wright, Stephen Park By Tom Moore Wes Anderson has created unique cinematic experiences for over a decade with his animated and live-action comedies that feature widely talented … Continue reading The French Dispatch: NYFF 2021 Review
Year: 2021 Runtime: 84 minutes Director: Zoe Lister-Jones, Daryl Wein Writers: Zoe Lister-Jones, Daryl Wein Stars: Zoe Lister-Jones, Cailee Spaeny, Larmorne Morris, Logan Marshall-Green By Tom Moore Full of delightful, offbeat comedy and a variety of familiar faces, “How It Ends” is a unique journey of self-discovery and self-love on the eve of the apocalypse. “How It Ends” might be the first film I’ve seen that clearly … Continue reading Tribeca Film Festival 2021 Review: How It Ends
Year: 2021 Runtime: 86 minutes Director: Roshan Sethi Writers: Roshan Sethi, Karan Soni Stars: Karan Soni, Geraldine Viswanathan By Peggy Marie Adding into the mix of films featuring romance during Covid, Tribeca gives us what one is to presume, a fun comedic look at dating, but not regular dating, dating from the point of view of more the traditional arranged marriage ways with “7 Days”(2021). At the start of the film, … Continue reading TRIBECA 2021 REVIEW: “7 DAYS”
Although open relationships aren’t something new and have been a part of romantic connections for decades going under different names (swinging, friends with benefits, non-monogamous), there aren’t that many films that openly explore them. That’s what makes “Mark, Mary & Some Other People” have an instantly unique premise as it delves into the titular young couple, Mark (Ben Rosenfield) and Mary (Hayley Law), exploring the possibility of having an open relationship. Mark and Mary are the definition of falling in love fast and having those instant sparks that instantly connect them. Their fast-paced relationship leads them to getting married at a young age and eventually makes Mary question the idea of making their relationship open. Continue reading Tribeca Film Festival 2021 Review: Mark, Mary & Some Other People
Year: 2020 Runtime: 95 minutes Directors: I.-Fan Wang Starring: Bruce Hung, Megan Lei, He-Hsuan Lin, Chung-Huang Wang By: Tom Moore Director I.-Fan Wang creates an endlessly entertaining feature directorial debut in “Get the Hell Out” that’s filled with gut-busting, stylistic comedy and, well, just a lot of guts. The film brings viewers into the satirized, yet oddly not far off world of Taiwanese Parliament as … Continue reading SIFF 2021 Review: Get the Hell Out
Writer-director Lavie’s filmography to date is mostly based in short films – “Honeymood” is her second feature – and this does feel like it might have been better if the film had been trimmed down to a shorter running time. The film’s conceit is strong and the performances, for the most part, might be enough for some to stick with it, but the expectation for a film premiering at the London Film Festival under the “Laugh” strand deserves a little more on screen at which to, well, laugh. Continue reading Review: Honeymood #LFF2020
When the film that puts you on a lot of people’s radar is about a killer tire blowing people up and filled with B-movie dialogue, you make quite a unique first impression. Well, that’s what happened with French writer/director/DJ Quentin Dupieux when his horror? film “Rubber” put him on the map and gain cult following. Now after creating a bunch of genre-bending treks that mix in his unique style of comedy, Dupieux returns in 2020 with “Mandibles” – a comedy about two friends and their giant fly. Continue reading NIGHTSTREAM Review: Mandibles
“Awesome, oh wow! Like, totally freak me out! I mean, right on! The Toros sure are number one!” How many times have you sung this to yourself? What about the film’s classic opening number: “I’m sexy, I’m cute, I’m popular to boot”? Peyton Reed’s “Bring It On” celebrates its 20 anniversary this year and the cheerleading teen comedy has achieved a cult following since its release and spawned a further five instalments in the series.
Kirsten Dunst stars as Torrance Shipman, the recently elected captain of the Toros cheerleading squad at the affluent Rancho Carne High School in San Diego, California. The football team sucks but their cheerleading team are five-time national champions and the true athletes of the school. As Torrance prepares her squad to battle for their sixth consecutive trophy, problems arise when she discovers that her predecessor (Lindsay Sloane as Big Red) has been stealing their dynamic routines from the primarily black squad, the East Compton Clovers, for years. Continue reading Retrospective Review: Bring it On
When you get fifteen minutes into this documentary, you wonder, why in the world would anyone give Richard Lett a platform? Lett has been dubbed the “Canadian George Carlin.” His comedy – if you can call it that – was demeaning, tactless, and truly reprehensible.
I had never heard of Lett before. My introduction to him was him degrading women, harassing his audience, and at one point, performed a horrendous song called the “Ballad of Robert Pickton” – Pickton was a serial killer in Canada who murder 50 women, most of them sex workers. I have watched awful “comedy” before but have never seen anything so reprehensible in my life. Continue reading Review: “Never Be Done: The Richard Glen Lett Story”