There’s a moment in “Inheritance” when Lauren (Lily Collins) is required to lie on the spot. She plays a lawyer here (a DA, to be more specific); she is quick on her feet and unflappable…to a point. In this specific scene, she has called 911–suddenly, she changes her mind and says: “one of my kids was playing with my phone, it won’t happen again”. It is a seemingly inconsequential scene–however, the more I thought about it, the more dangerous its implications appeared to be.
Lawyers double as, Inheritance seems to suggest, trained actors. This is a high-octane thriller, first and foremost, but also a showcase of the dangers of combining family with career (especially when this is in criminal justice and law enforcement). The film dares us to think about people like this; do they serve us, or do they use their political leverage for the interest of themselves and their friends and families? Continue reading Review: Inheritance
It’s highly contagious. Anyone could have it. It starts with a high fever. There isn’t a known cure. It threatens mankind as we know it. You may be inclined to believe that what I am describing relates to the COVID-19 outbreak, but I am actually describing the condition that takes place in Neasa Hardiman’s debut feature film, “Sea Fever”. The film follows the crew of a fishing trawler who succumb to a strange infection, their only hope is the apathetic and analytical-minded marine-biology student Siobhán, played by the memorizing Hermione Corfield. This timely well-crafted science-fiction thriller is definitely one to seek out for Corfield’s powerhouse performance alone. It’s also a riveting story which builds on tension and suspense, proving that genre storytelling is very much alive and kicking. Continue reading Review: Sea Fever
Regardless of your opinion on the merits (or lack thereof) of Batman vs Superman, there was a clear winner that came out of it all. Though only in the film for a handful of scenes it was immediately obvious that Diana, aka Wonder Woman (Gal Gadot), was going to be a force to be reckoned with in her own solo film.
This film also came at a perfect time for the DCEU. While the MCU was racking up critical and box office successes, they were yet to have a solo film for any of their female characters or a film directed by a woman. DC decided to buck that trend and handed the reins of one of their trinity to Patty Jenkins. It came as a bit of a surprise, given the last film she had directed was “Monster” in 2003, and a far cry from a superhero film. Continue reading ITOL Top 50 Films of the Decade, Entry No. 2: Wonder Woman