"The Peanut Butter Falcon" is one of my top films of all time. I managed to see it twice in the cinema and can’t wait to get the DVD so I can savour it over again. It’s an adventurous escape and a lesson in the power of loving broken people - as well as yourself. Structurally it's a straight forward story with two central characters and two antagonists, all with very clear goals. A) Get to the wrestling school and escape life, B) Catch the protagonists.
Most people have a book that they absolutely loved growing up. While other girls were reading Little Women or the Babysitters Club I was re-reading Huckleberry Finn. I read it so many times it got creased and dogeared. I don't remember much of the plot now and certainly wouldn't have been aware of the deeper themes at the time. But I do remember losing myself in those hot lazy adventures, wishing I was rolling down river instead of in my bedroom in Yorkshire. When I heard that “The Peanut Butter Falcon” was being billed as a Huck Finn style adventure I just had to see it.
What does "Suspiria", "Carrie", "The Witch" and "The Hunger" have in common? Well, these horror films are not only directed by a male director and are terrifying to watch, but they also pass the Bechdel Test. If you have managed to make it through our 31 Days of Horror countdown and you're still looking to be well and truly creeped out, then ITOL recommends these horror films which see women at the centre of their plot. The films included on this list aren't necessarily directed by a female filmmaker, but they are unique because they all pass the Bechdel Test. The films below all meet the criteria set out by the test: (1) it [the film] has to have at least two women in it, who (2) who talk to each other, about (3) something besides a man. So, without any further ado, here are some must-see horror films this Halloween. Enjoy!
“Wounds” is Babak Anvari’s latest film--he is a British-Iranian filmmaker best known for his directorial debut in 2017 with the brilliant “Under the Shadow”. Here, he takes the same cultural critique approach of that film and uses that framework to critique millennials. “Wounds” is based on Nathan Ballingrud’s novella, “The Visible Filth”--which I haven’t read, but if the conclusions this film draws are similar to those of the source material, then by god, I want it on my kindle NOW.