Noirvember Retrospective: Laura

By Joan Amenn There are films that are noir and there is “Laura” (1944) which is in a class by itself. Nominated for five Oscars and winning for Best Black and White Cinematography, “Laura” is the kind of film that can be viewed many times over and never grows tired. Much like the portrait of the femme fatale herself, it has charm and elegance, and … Continue reading Noirvember Retrospective: Laura

“Fallen Angel”: #Noirvember Review

a noir classic, “Fallen Angel” is an interesting case study in how the gender roles of the 1940s have transformed into what we deem acceptable in today’s society. The film’s narrative is hardly spectacular, and is rather formulaic with a twist that you can see a mile off. However, what makes the film memorable is its performances, especially from Alice Faye who manages to bring some much needed humanity and depth to this pulpy B-movie noir.  Continue reading “Fallen Angel”: #Noirvember Review

Should’ve Been a Contender: Myrna Loy for “Best Years of Our Lives”

 The recent Oscar buzz around Sam Mendes’ “1917” prompted a reviewing of one of the more famous war films of the 1940’s, “Best Years of Our Lives” (1946). Myrna Loy deserved a Best Supporting Actress Oscar for her role in this male dominated film as a much-needed representative of the women who welcomed their men home from WWII. To a lesser extent, Teresa Wright also deserved recognition, but it is Loy who helps tie the stories of three servicemen just returning home together into one powerfully moving story. Continue reading Should’ve Been a Contender: Myrna Loy for “Best Years of Our Lives”