The greatest achievement of Netflix is giving creators a place to put their work. From Martin Scorsese to Ava DeVernay, Netflix has become a creative landing for directors and writers to display their work without the hassle of going through the tired Hollywood process. Dee Rees got to do just that with her second feature "Mudbound" as a Netflix original movie. After her debut "Pariah", which also earned a spot on our Top 50 List, Rees proved her worth and had a much larger market to sell her idea in. It premiered at the 2017 Sundance Film Festival and was released in November of 2017, which put it squarely in the Oscars award season. Not that it needed help being premiered at the end of the year, but it helped to gain it four nominations, including two for Mary J. Blige who created an original song for the film.
The Forever Young Film Club is a British organisation whose primary activity is to host screenings of coming-of-age movies. "Girlhood", "Booksmart" and "Mid90s" have all attracted large crowds, and the Club is clearly going from strength to strength. The main reason for this continuing success is down to the hard work of the three women behind the screenings, but there’s also the fact that, sooner or later, pretty much all of us have to grow up. Changing friendships, sex, sexuality, hopes, dreams and discovering your parent/s’ flaws are all part of moving from childhood to adulthood, which means that coming-of-age is perhaps cinema’s most relatable subgenre. Dee Rees’ 2011 feature debut “Pariah” is one such film.
The following films surprised me, because of how they confidently upended clichés and presented new, fresh narratives with such ease that you wonder why we don’t normally get more like them. This is what happens when new voices —in this case, women who in their own league, have been given the creative control over a film as directors.