Emotional Journeys Through Horror: A Profile of K/XI

gotten to know over the years had projects there, and I was looking forward to not only their new work, but- for at least one- getting to meet them in person for the first time. By the time that 2 1/2 days ended, there were more filmmakers whose work connected with me, and I’d had one of the strongest communal experiences watching film in my life. No filmmaker made an impression on me that weekend, however, quite like K/XI (pronounced K Eleven), and her feature film, “Black Lake.” Continue reading Emotional Journeys Through Horror: A Profile of K/XI

Tribeca Film Festival 2021 Review: No Ordinary Life

Year: 2021 Runtime: 77 minutes Director: Heather O’Neill By Joan Amenn The organization “Reporters Without Borders” states that 50 journalists were killed in their line of work in 2020, 84% of which were deliberately targeted. Although not a very large number, it is important to keep in mind that while journalism has inherent risks as a profession, journalists and their news crews are increasingly being … Continue reading Tribeca Film Festival 2021 Review: No Ordinary Life

Review: “The New York Times Presents … Framing Britney Spears”

“Framing Britney Spears” aims to delve into the conservatorship that placed Spears’s father in control of her estate after her public breakdown and involuntary hospitalization in 2008. (Since filming wrapped, a Los Angeles Superior Court judge earlier this year denied her father’s objections to share monetary control with a financial institution, Bessemer Trust.) Continue reading Review: “The New York Times Presents … Framing Britney Spears”

Happy Birthday To Céline Sciamma

The wonderful Céline Sciamma will be celebrating her birthday on the 12th November and if you’re familiar with our site then you know that we are HUGE fans of her work. For this piece, we want to discuss her career and celebrate her filmography and how she’s taking on the French film industry and its sexism. She may have only directed four feature films and one short, but Sciamma has already established herself as one of the icons of female filmmaker history. Her unique perspective and story-telling have helped to create engaging conversations with critics and cinephiles alike. Continue reading Happy Birthday To Céline Sciamma

Editorial: There Are More Female Directors Than Gerwig and Coppola (And We Need to Learn Their Names)

There was a recent post on Twitter asking for the film community to name a female filmmaker but not name famous directors Sofia Coppola or Greta Gerwig. Sure, people were able to name other directors. However, I was struck by the fact that there are truly so many women working behind the camera, but only a few are widely known by audiences. Continue reading Editorial: There Are More Female Directors Than Gerwig and Coppola (And We Need to Learn Their Names)

Retrospective Review: “Band Aid”

Anna (Zoe Lister-Jones) and Ben (Adam Pally) are well past the honeymoon phase of their marriage. All they do is fight. So, in a last-ditch effort, the pair create a band – roping in their neighbor Dave (Fred Armisen) – so that they can fight through song. Watching the couple navigate their struggles and hurt through song starts off fun. Their band, The Dirty DIshes, is named after a particular area of contention in their house. Continue reading Retrospective Review: “Band Aid”

In the Wake of 50/50: 10 Underseen French Films from Female Directors

Whether you have gotten into the “Blue is the Warmest Color” discourse waving a flag of strong opinion, or fallen head over heels for Céline Sciamma’s sweeping lesbian romance “Portrait of a Lady on Fire”, it’s clear that French cinema is back on the upswing after years out of the spotlight in cinephile circles. With “Mustang” as the nation’s sole Oscar success in nearly a decade, it’s clear that France’s future of filmmaking is not with the old tradition, but with the new wave of younger female filmmakers on the rise, often blowing critics away on debut films. Continue reading In the Wake of 50/50: 10 Underseen French Films from Female Directors

25 Films Directed By Women That You Can Watch For Free

We now live in a time where it seems like every major studio has its own streaming service. This can be great for those who like to pick and choose specifically what they want to watch, but if you want to have it all, it can cost you a pretty penny. Over the past couple of years I’ve become
a strong proponent of ad-based streaming services. The one I champion the most is a service called Tubi TV. They started out as a company based out of San Francisco and were recently purchased by the Fox Corporation, (I hope that didn’t scare you away). Continue reading 25 Films Directed By Women That You Can Watch For Free

Review: Love Sarah

Eliza Schroeder’s “Love Sarah” is not a film I would usually be drawn to. Those who know me, are probably aware that I am not the ‘Light-hearted comedy’ type. However, “Love Sarah” was an unexpected and very pleasant surprise, a step outside my usual comfort zone and a film I didn’t really know how much I needed. In this time of uncertainty, division and separation, it was a real delight to see a community of different people from a range of backgrounds, ages and cultures coming together, united by the power of love, food and friendship. Continue reading Review: Love Sarah

Review: The Old Guard

Charlize Theron is the somewhat kinder-hearted real-life Vinnelle for us in films. She gazes down the lens; controlling every angle of power in “Hancock” (2008), “Atomic Blonde” (2017) and now “The Old Guard”(2020). Directed by a notable filmmaker – creator of “Love and Basketball” (2000) and “The Secret Life of Bees” (2008) – Gina Prince-Bythewood opens up Gregory Rucka’s comic book and spray paints her brilliance across the epic myth. Continue reading Review: The Old Guard