Here at In Their Own League, we like to support Indie Filmmakers and we were so impressed by Gavin Michael Booth's latest film "Last Call" (you can read Caz's 5 Star review here), so we jumped at the chance to talk to Gavin about how he managed to pull off such a marvellous film. Bee Garner spoke to Gavin about the inception of the film, what single-take films that inspired him and which female filmmakers he admire. Please make sure to check out the links below, especially the making of feature which helps gives a unique insight into the process of the production of this wonderfully moving and impactful film which we hope more people seek out.
Cathy Yan is a new and exciting director that more people should be aware of. She has a track record of making interesting films with a diverse cast and crew. I cannot wait to see what the future brings for Yan, I know I will be there opening weekend for any films with her name in the credits.
In the opening scene of “Little Women” (2019), when we see Saoirse Ronan’s character entering a publisher’s office to try to sell her work and get herself taken seriously as a writer, we’re not just seeing the character of Jo March. We’re also seeing Louisa May Alcott, who wrote the novel that the film is adapted from, and perhaps even the film’s writer and director Greta Gerwig herself.
At ITOL we love getting a chance to speak to filmmakers, and we were especially excited to speak to Claire McCarthy after recently catching her latest film, "Ophelia". McCarthy is an Australian filmmaker, screenwriter, producer and visual artist. Throughout her career, she has brought audiences such films as "The Waiting City" (2009), "Little Hands" (2011) and "Skins" (2007) with actress Mia Wasikowska. Her feature film "The Waiting City", which starred Joel Edgerton and Radha Mitchell, was released in North America after premiering at TIFF 2010, and has gone to be sold to over 40 territories world-wide.
Kathryn Bigelow is a woman of action. The director, who turns 68 on Nov. 27, is known for training her eye on vampires, cops, surfing bank robbers, and especially soldiers—but she’s not merely after an adrenaline rush.
Rather, the first—and still only—woman to win an Academy Award for Best Director with 2008’s "The Hurt Locker" is drawn to the circumstances surrounding violence, as well as characters’ choices.
“I don’t like violence. I am very interested, however, in truth. And violence is a fact of our lives, a part of the social context in which we live,” she’s said.
"Rehearsal" is an exceptional short film by director and writer Courtney Hope Thérond, and was recently screened at this year's LFF. The film follows a young actress who is forced into an uncomfortable situation on a film set during a rehearsal. With the film industry still reeling after the news of Harvey Weinstein and the rise of the #MeToo Movement, Thérond's film feels very relevant and will more than likely connect with many viewers especially females, who have unfortunately found themselves in similar situations, afraid and unable to speak up.
Film is comprised of two elements; image and sound. For generations, filmmakers from all walks of life have utilized these two elements to create tapestries for audiences to get immersed in. But only a select few directors in film history have utilized these elements in tandem. There was Stanley Kubrick, David Lynch, and now there’s Lynne Ramsay.
There are times where you attend film festivals and enter a screening totally unprepared for the film that you end up watching. Only to stumble onto an absolute masterpiece. This was the case for Emily Harris’ "Carmilla", a film that took my breath away and left me awestruck by what I had seen on the big screen.
"Carmilla" has been criminally overlooked by many critics, which is a crying shame. It is a film that is so beautiful to look at that, you wonder whether you have become hypnotized by the small spell that the film’s main character succumbs to.