After watching “Dollhouse” I was left feeling that the film was simply an excuse for Brending to express her personal grudges against the trans community. I’m not sure whether this film will hinder her career or not especially considering the current climate. However, the simple fact that it’s been made and screened at Slamdance film festival proves she’s not being oppressed. Her voice is being given a platform. How many trans filmmakers have been able to get their films made and screened at Slamdance, I wonder? Continue reading A Sort of ‘Review’ of Dollhouse: The Eradication of Female Subjectivity from American Popular Culture