Last year I attended a talk at the Edinburgh Film Festival regarding women in the film industry, and a filmmaker called Kira Muratova was discussed. This was a filmmaker I had never heard of before, and I made a note to research into her and her work once I returned back from the festival. Alas, until now, I didn’t hold that promise. Continue reading In Their Own League Hall of Fame: Kira Muratova
Do you ever remember watching a movie when you were younger and thinking, “Oh. My worldview is about to be drastically changed by this piece of art”? Well, that’s how I felt upon my first viewing of Jamie Babbit’s satirical romantic comedy “But I’m a Cheerleader” (1999). Continue reading Pride Month, Retrospective Review: “But I’m a Cheerleader”
The LGBT+ community has been contributing to the film industry since the industry’s beginnings. Despite this, it is uncommon to find LGBT+ people receiving recognition for their work behind the camera. I’ve compiled a selection of currently available movies with LGBT+ directors, writers, composers/lyricists and where they can be streamed. It’s by no means an end all be all list of the greatest LGBT+ contributions to cinema, so I’m sorry if I’ve left of anyone’s favorites… This is just a place to start. Continue reading LGBT+ Filmmakers & Where to Stream Them
If the term “women’s wrestling,” makes you think of the glitz and glamour of the Netfix show GLOW or even the women’s divisions of American promotions such as the WWE, then “Gaea Girls,” will be a shock to your preconceptions. Directed by Kim Longinotto and Jano Williams, this documentary exposes the brutal training regimes and initiations that young girls in Japan choose to face in order to earn their place performing in the hallowed ground of the squared circle.
For decades in Japan, entire organisations have been dedicated to women’s wrestling, and drawing a rabid and predominantly female fanbase. Gaea Girls is built around one of the biggest names in the history of women’s wrestling, Chigusa Nagayo. Continue reading Retrospective Review: Gaea Girls
The first woman to ever direct a movie was Alice Guy-Blaché. Then came Louise Kolm-Fleck. But there is a significant difference between the two. One has made her mark in the history books, is considered a milestone, and does ring a bell for even those not too familiar with female film history. The other one vanished into obscurity. One might argue, if she was “only” the second, maybe that’s why we don’t talk about her anymore? Continue reading In Their Own League Hall of Fame: Louise Kolm-Fleck
“Do you want to watch this with me?” I am home for the holidays and my mom, a movie-buff, is gearing up to watch the documentary film, “Half the Picture” (2018). “Half the Picture” looks at female filmmakers, their stories, their films, and more importantly, giving them the space to talk about the hurdles they have had to climb throughout their careers. The filmmakers each had unique hurdles for their films, but the blatant gender inequality experienced was universal. Thanks Mom for introducing me to this film.
“Half the Picture” was directed by female filmmaker, Amy Adrion. Adrion’s film perfectly balances the valiant victories and the lowest lows. It is an intimate look at women in different stages of their careers, all with a plethora of film credits. It ponders if the current conversations in film will lead to a paradigm shift or if this is simply a brief respite from systemic discrimination. Will the current atmosphere lead to the change film and TV need? It is an inspiring, and at times frustrating, film. So much has been done, yet there remains so much to do. Continue reading Exclusive Interview With Director Amy Adrion About “Half the Picture”
Suicide is not funny. It devastates family and friends and is a thief which robs us of our loved ones. But film is not real life. It is a tool through which we tell stories, a way for filmmakers to examine issues and situations, and a way for audiences to experience any number of things in (physical) safety.
Laughter can aid in the healing and processing of painful events. But clearly, the way suicide is shown and discussed can hurt as much as it can heal. And, although filmmakers are under no obligation to show suicide in a certain way, the potential impact of their films means that they carry responsibility. Continue reading Mental Health Awareness Month: Suicide in Comedy
For Animated April we are focusing on a range of women in animation both past and present. You may recall that Naoko Yamada’s animated feature “A Silent Voice” made our top 50 films of the decade last year. To those who aren’t familiar with her work, we have decided to look back at her career and the works that placed her on the map. She remains one of the few female anime directors in Japan who is working today.
Born in 1984, Yamada has always maintained an interest and passion for art. As a child, she enjoyed drawing and would copy images from the “Patlabor” and “Dragonball” anime series. After finishing High School, Yamada went on to study at Kyoto University of Art and Design, where she studied oil painting and was a member of the special effects club. Continue reading Animated April: Spotlight on Naoko Yamada
Are you climbing up the walls yet? Being in self-isolation is tough, but completely necessary (we can’t emphasis that enough). No fear, we’re here to help make things a little more bearable with some recommendations on films you can catch on Amazon Prime that just so happen to be from a female filmmaker. Hopefully, these films will keep you entertained and we hope there are some featured on here that you aren’t aware of. Let us know some of your recommendations in the comments below. Keep safe, stay indoors and use this time wisely…to catch up on some movies! Continue reading Prime Viewing: Part 1
Charlotte “Lotte” Reiniger was a German film director and the foremost pioneer of silhouette animation. Perhaps her most famous film is “The Adventures of Prince Achmed” (1926) which is considered to be the oldest surviving animated feature film. “Prince Achmed” features a silhouette animation technique that Reiniger had invented which involved manipulated cutouts made from cardboard and thin sheets of lead under a camera. She went on to film over 40 films using this technique and her work went on to influence many filmmakers. Reiniger led an extraordinary life, even escaping the Nazi party in 1935 before having to return to Germany in 1944 and being forced to make propanganda films. Continue reading Animated April: Spotlight on Lotte Reiniger