Coffee and croissant in hand at sunrise, pearls, a beehive up-do topped-off with a sparkling tiara, over-sized sunglasses—the reflection of a woman in the glass of a jewelry store. A young girl sprawled out on a tree branch over-looking a party she’s not privy to, an off-duty princess taking a rogue scooter disruptively through a town. All of these simple moments are from films that star the iconic Audrey Hepburn. The percentage and likelihood that you have seen her image next to a cheesy inspirational quote or her face on a poster of a college age woman’s dorm room wall is absolutely certain, whether you have seen any film she is in or not. Maybe the quote was an actual quote she coined, maybe not. It is undebatable that Hepburn’s image, stardom, and influence has far outlived her life.
Banana Split" is the directorial debut film from director Benjamin Kasulke, with a screenplay written by the film's main star Hannah Marks and Joey Power. The film follows April (Marks) who has spent the last two years of high school in a relationship with Nick (Dylan Sprouse), from the first frantic make-out session to final tear-stained breakup. In the aimless summer between graduation and college, the newly single April mends her heartbreak by striking up an unexpected friendship with an unlikely candidate: Nick’s new girlfriend, Clara (Liana Liberato). Our writer Mique Watson jumped at the chance to speak to actress Addison Riecke regarding the film after reviewing the film for ITOL. Below, we hear from Addison about how she became involved in the project, what drew her to this story and the character of Agnes. You can read Mique's interview with director, Benjamin Kasulke here.
"Banana Split" is the directorial debut film from director Benjamin Kasulke, with a screenplay written by the film's main star Hannah Marks and Joey Power. The film follows April (Marks) who has spent the last two years of high school in a relationship with Nick (Dylan Sprouse), from the first frantic make-out session to final tear-stained breakup. In the aimless summer between graduation and college, the newly single April mends her heartbreak by striking up an unexpected friendship with an unlikely candidate: Nick’s new girlfriend, Clara (Liana Liberato). Our writer Mique Watson jumped at the chance to speak to Benjamin regarding the film after reviewing the film for ITOL. Below, we hear from Benjamin about how he became involved in the project, what drew him to this story and these characters, and his transition from the role of cinematographer to the director's chair.
Lucille Fay LeSueur started as a dancer for a variety of travelling shows, elevating her way to chorus girl, and would go by LeSueur until her time with MGM, where Joan Crawford would emerge as a prominent force on the Hollywood scene. One of the ‘symbols’ of the studio gals, with the likes of Judy Garland or Claudette Colbert, Crawford would make her first ‘debut’ in ‘Lady of The Night’ (1925) as a body double, her breakout alongside Horror legend Lon Chaney in the 1927 horror film ‘The Unknown’ and her film final appearance in a British sci-fi film entitled ‘Trog’ (1970), a bizarre climax to a turbulent career.
We all know parts of filmmaking such as the acting, directing, or writing. But a piece of filmmaking that culminates the entire vision is the editing. I was able to ask editor Katie Bryer a million questions and she unveiled just the tip of the iceberg when it comes to film editing. Bryer edited the documentary film, “Maiden” (2019), about Tracy Edwards and her all-female crew who entered the Whitbread Round the World Race in 1989. “Maiden” made my top 5 films of 2019 and it is in an elite, rare group of films that made me cry. Bryer edited a truly harrowing story about female empowerment and perseverance, and helped craft a remarkable film. In the interview, Bryer talks about “Maiden,” the process of film editing, what we can be doing to get more women in the editing room, as well as answer some Women’s History Month questions.
Happy International Women's Day everyone! In order to celebrate the day why not grab one of these books and curl up on the sofa with a nice glass of wine, or a beverage of your choice. We hope you'll find these books to be a fascinating read and will lead you to discover work by female filmmakers from the present and the past.
You may not know her name, but I am damn certain that you would recognise her face and more importantly her hairstyle. The 'Lulu' Bob haircut worn by Louise Brooks is a representation of the Jazz age in all of its glory and revolutionary awe. For a few brief years, Brooks was one of the most well known and one of the highest-paid actresses in the world. At the height of her career, she made a bold decision to leave La La Land, in order to star in two of the silent era's most famous films, "Pandora's Box" (1929) and "Diary of a Lost Girl" (1929). However, when she returned to America her career had virtually ended and by 1938 she had turned her back on Hollywood. Throughout the 1940s and 50s, Brooks lived in extreme economical hardship before being 'rediscovered' by James Card, who encouraged her to write down her memoirs as well as essays that reflected on the silent era.
Trying to arrange a date is an immense task, and some Hollywood films make it appear ever so easy! There's never any issues getting a resturant reservation, nobody gets held up in traffic and no-one walks into the resturant with their blouse inside out (not, that this has happened to me *ahem*). Everything seems to go according to plan and the couple have a great time. It's enough to make you feel just a little bit down. However, don't worry! I have managed to find some pretty awful dates that didn't go well for the characters involved. Happy Belated Valentines Day everyone!