Film critic Calum Cooper reviews the latest film starring Florence Pugh, the mysterious and hauntingly atmospheric The Wonder. Continue reading LFF2022 Review: The Wonder
Film critic Calum Cooper reviews the latest psychological thriller, Don’t Worry Darling, starring Florence Pugh and directed by Olivia Wilde. Continue reading “Don’t Worry Darling” (2022) Review
Year: 2021 Runtime: 133 minutes Director: Cate Shortland Writers: Eric Pearson, Jac Schaeffer, Ned Benson Actors: Scarlett Johansson, Florence Pugh, David Harbour, Rachel Weisz, Ray Winstone, William Hurt, Olga Kurylenko By Alexandra Petrache “Black Widow” (2021) is one of the best Marvel films. I left the cinema thinking it was “up there” with “Infinity War” (2018) and “Endgame” (2019). The story and characters were engaging … Continue reading Review: Black Widow
For this Women’s History Month, I have decided to focus on creating some top ten lists which discuss films, biopics and documentaries about women in history that will hopefully inspire and inform readers about the accomplishments of women throughout history. For this piece I am focusing on ten women who deserve their own biopics and will be discussing who I think should star in the film, who could possibly direct the film and why their stories deserve to be seen on the big screen. Continue reading Women’s History Month- 10 Inspiring Women Who Deserve Their Own Biopic
The last scenes of Ari Aster’s premier horror masterpiece “Hereditary” (2018) take viewers through a winding middle-American manor, with dysfunctional family dynamics incarnated as demons in the eerie night-time environment. Aster abandons this classic horror imagery for a more subversive setting in “Midsommar” (2019), where his familiar formula of manifesting the characters’ resentments towards one another as violent retribution instead takes place in the long-lasting daylight of a secluded, Scandinavian commune. Continue reading The Terror of TERFs Revealed in “Midsommar’s” Summertime Setting
To celebrate the last decade 2010-2019 we are counting down the best actresses and discussing some of their most notable and memorable performances of the last decade. With the help of Film Twitter, the ITOL team have selected 30 actresses. Entry No. 10 is Florence Pugh, and writer James Cain discusses Pugh’s career over the last decade. Continue reading Best Actress of the Decade, Entry No. 10: Florence Pugh
In the opening scene of “Little Women” (2019), when we see Saoirse Ronan’s character entering a publisher’s office to try to sell her work and get herself taken seriously as a writer, we’re not just seeing the character of Jo March. We’re also seeing Louisa May Alcott, who wrote the novel that the film is adapted from, and perhaps even the film’s writer and director Greta Gerwig herself. Continue reading ITOL 2019 Round-up: Little Women
2019 was an eventful year for me, I grew so much as a person and found an outlet to express my writing and thoughts about film as a whole. This isn’t a definitive list by any means but a list of the films that have had the biggest impact on me personally. I have a lot to say about some of these so let’s get started, shall we? Continue reading Reyna’s Top 10 of 2019
As we approach the end of 2019, the ITOL team are compiling their end of year lists of their favourite films. Here’s James Cain’s list and his personal top 20 films of 2019!
Another year, another fresh bout of shame. I didn’t see “Hustlers”! I didn’t fit “Always Be My Maybe” onto my list of favourite movies! Anyway, here are my Top 20 Films of 2019. Continue reading JC’s Top 20 Movies Of 2019
I have never read the book “Little Women” by Louisa May Alcott or seen any of the previous adaptations. I have little interest in period dramas, frocks and debutant balls. All I knew about the film was that there were a bunch of teenage-ish girls, it was written 150 years ago and the Joey on Friends got upset about one of the characters dying.
So, I knew I’d be a hard sell on this but after a shaky start this film really won me over. Continue reading A first timer’s view of “Little Women”